A documentary filmmaker, who has spent the last 15 years making films like "Aluminum: Our Shiny Friend," is finally given the chance to make the documentary on Indian farming he has always wanted to. The catch? He must simultaneously direct a porn film. But as he tries to make the porn film, which he turns into a musical called "Halloween in the Barracks," he must deal with a temperamental actor, a fundamentalist preacher, and other obstacles.

A bizarre portrait of the New York singles scene.

The president of the United Status, who, when he isn’t at the White House— a dilapidated Victorian— conducts his top-secret affairs on a deserted beach.

Four boys are sent, for different reasons, to a Military Academy. The life of discipline asks a lot of the four geeks. Of course these boys know how to make a party out of the hard times. Will they be "real men" after one year.

A young woman arrives in New York to visit a friend and lands in one hot spot after another as she fends off the perverted advances from every man she meets.

Hugo Pool is a quirky tale of a Los Angeles pool cleaner who falls in love with a young man dying of Lou Gerhig's Disease.

Dark satire in which the token black man on the executive board of an advertising firm is accidentally put in charge. Renaming the business "Truth and Soul, Inc.", he replaces the tight regime of monied white ad men with his militant brothers. Soon afterwards, however, the power that comes with its position takes its toll on Putney... This film had about everything one could wish when viewing it originally, at the end of the 1960's decade. It was immensely entertaining, and provided a contemporary view of the many changes which had occurred during that period - and were still ongoing - in terms of the Black Power movement, Vietnam, and the volatile movement which followed the quieter, preceding postwar 1950's. All of this and one of the funniest films, then or now. Viewing it for the second time recently, I was surprised to find it as engrossing as when seen originally. Its humor is as funny, and its message as strong. And in viewing it now, you get all of this, while at the same time gaining the added enjoyment of its being a "period piece," and a superb chronicling of its this historic, turbulent time. * Robert Downey Sr. redubbed all of Arnold Johnson's lines.

A day in the life of a young Manhattanite who is in love with his mother, gives birth to $1890 from his hip, and kills indiscriminately.

Surreal, absurd, unique Greaser's Palace is a comical, chaotic, absurdist and surreal religious parody. It's like El Topo meets The Life of Brian. Alan Arrbus plays a strange messiah-like zoot-suited actor/singer/dancer called Jessy, who one day parachutes into a field close to a Western town where a host of odd characters hang out, the main one being a constipated chap called Seaweedhead Greaser, who runs the titular saloon. Jessy has some miraculous traits - he can walk on water and heals some of the locals by telling them: "If you feel, you heal". One of the most memorable scenes (and my favourite) is when Jessy approaches a group of people praying and says to them: "I bring you a message. Exactly six miles north of Skagg Mountain in the Valley of Pain, there lives an evil devil-monster. His name is Bingo Gas Station Motel Cheeseburger With A Side Of Aircraft Noise And You'll Be Gary Indiana. And he loves to hurt people. The last time I saw Bingo Gas Station Motel Cheeseburger With A Side Of Aircraft Noise And You'll Be Gary Indiana, he told me what he wants to do. He wants to come down here and kill each and every one of you. But I said to him: 'Bingo, wait a minute!'. And the reason I said that is because I believe in you people. I believe you can do the job. I believe you can help each other. I believe you can make this world a better place to live in. That's it". If you haven't seen this film then it must go on your must-see list of films, category surrealism. Chaotic cineastes will approve.

Also known as TWO TONS OF TURQUOISE TO TAOS TONIGHT, and even as JIVE, this is a movie you’ve most likely never seen. Highly personal and at the same time completely illogical, this cacophonous comedy has virtually no semblance of a storyline or plot. The great Elsie Downey, the director’s then-wife and the mother of his children (who are featured prominently throughout), drives the film with her boisterous performance in what may very well be more than 10 roles. Shot and edited piecemeal over a few years, MOMENT TO MOMENT is a collage of everything from staged scenes to home movies, and features a soundtrack by the legendary Jack Nietszche and David Sanborn. No matter what you call it, this film is surely Downey at his most avant-garde and absurd.—Anthology Film Archives