Ajay alias Munna Babu is a semi-senile, gentle but naive young man who has a wealthy family estate. His employees and alleged well-wishers conspire against him and introduce him to his long-estranged mother, Shakuntala, and brother, Vijay. Munna is overjoyed, not knowing that they are devious impersonators. This joy is quite short-lived, as they soon show their true colors, and Munna gets killed. His restless spirit seeks out his real brother and appeals to him to avenge his death. Vijay, at first, thinks he is hallucinating, but when his mother confirms that he indeed had a twin brother, he agrees to accompany Munna's spirit back to where he was killed, and thus assist him complete his vengeance. Things do not go as planned, and Vijay himself becomes their victim, and may face the very same fate as Munna.

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

Inder, a contractor who believes in the power of money, places a bet with his friend Prakash to woo Rama, a simple girl. Rama is charmed by Inder but an event forces her to leave the city.

Shyam an ambitious young man is in Mauritius to fulfill his dreams. He meets Rukmini, a millionaire's daughter. They fall in love and get married despite strong opposition from Rukmani's stepmother and brother. Shyam would love to be a father, but Rukmani undergoes an operation to stop any pregnancy, as she is least interested in becoming a mother. This widens the gap between the couple. Rukmini even suspects Shyam of having an illicit relationship with Radha, a librarian. Rukmini's stepmother and uncle, who have an eye on Rukmini's wealth, further fuel the misunderstanding to the point of breaking their marriage.

1977 film

1982 film by Subhash Ghai

1982 film directed by Tatineni Rama Rao

A young woman, ignored by her husband, decides to spend time with the young man who had previously wooed her.

A childless Western couple visit a fertility shrine in Karachi run by eunuchs and set off a huge culture clash.

A retired professor, Lagoo, suddenly disappears one day. His family is worried especially when he doesn’t return after months, and then years. His wife, children and friends, then try to remember him through reconstructed memory, providing the film’s flashback structure. Some critics saw this as Mrinal Sen’s most personal film. As Sen said: “Life didn’t stop even for a moment. It carried on. But his family – his wife, his children – keep looking back, into the past. Each constantly reconstructs the man in their own minds, aided by fragments of memory. That man and I, that man and you, that man and the rest of us…one among many. “…Believe me, irrespective of who you are and how talented you may be, you are possessed of mediocrity. The minute you are conscious of this within you, your ‘crisis’ deepens. This is the thought that prompted the film. And perhaps the greatest tragedy in man’s life is that he has only that one life.” Winner Best Supporting Actress, President’s Award, India, 1989