Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...

2007 film directed by Marc Fitoussi

In November 2015, a series of unprecedented and deadly attacks hits Paris. The anti-terrorist police led by Heloise and her chief commander Fred - face an unprecedented level of pressure: in a race against the clock, they must find the perpetrators of the attacks as quickly as possible before they can strike again, travelling across Europe and beyond in one of the biggest manhunts in history.

私家侦探吕奇•培蒙正在进行调查：一位离家出走的女士，渐渐失去了生活的方向，她要去发现世界，也要去发现自己。 为社会写照，更是为“女性画像”：透过侦探故事，在法国社会这张画布上描绘心理的扭曲。这位与共和国同名的女士是一个谜，侦探不仅要找到她，而且要解开这个谜。

专偷皮鞋的女扒手Tina发现自己出人意料地被释放后，拜访了预审法官的公寓。法官Carole Rewinsky 并没有告诉Tina她的假释只是出于程序上的错误。她们发现除了司法系统以外他们还有许多共同兴趣，比如说对鞋的共同兴趣。Carole允许Tina在她家的沙发椅上留宿……

A man fantasizes about his best friend's new girlfriend. He is willing to throw caution to the wind to fulfill his wildest dreams.

A working woman, mother a three children, realizes that, when her youngest one is about to go to Canada to continue her education, she will end up out of her most precious goal, being a mother.

安东是一位高中历史老师,年过五十的他渐渐发现,自己对于周遭的声响愈来愈迟钝,甚至连情人的反应、同事的言语都渐渐无法入耳。为了掩盖自己的听力障碍,他选择躲进自己的世界,对于外在的一切充耳不闻,自顾自地讲完课,便回到家中将音乐开到最大声。然而,这样的举动也让他的学生不满加剧,似是而非的听力更屡次造成和同事之间的误会。安东在好友的鼓励下戴上助听器,然而听不到的问题解决了,突然变得过于清晰的声响反成为他的新困扰。车水马龙的街道、滴滴答答的雨声,就连邻座同事大咳洋芋片的声音,都能让他一秒崩溃。情场、职场及人际都面临危机的安东,某天意外认识了住在同一栋大楼的小女孩,薇蕾特因为心灵创伤,而不再开口说话。于是,一个听不见外界声音的大叔,与一个无法开口表达自己的小女孩,成了最了解彼此感受的知己,而薇蕾特的母亲也悄悄受到这个老是和自己鸡同鸭讲的男人吸引……

2011 film by Djamel Bensalah

Three French sisters have their lives interrupted and their relationship called into question when their father returns to visit 15 years after having abandoned them and their now-deceased mother. Each responds differently to his return according to how her character evolved from her relation with him and his unexpected departure. They eventually realize, though, that the somewhat elderly father is quickly losing his memory and his ability to function, and the youngest daughter's decision to accept him again while she can ends up permanently changing her family ties with her sisters.

Didier never knew that a wrong film review of a film which he did not bother to watch would land him in numerous troubles.

The story centres on a single mother and a married man who become lovers. They have agreed to only meet up for the purposes of a physical affair without any prospect of love, knowing full well their relationship would have no future. But they find themselves more and more surprised by how well they get on, their sense of complicity and the well-being they feel in each other’s company…

催眠治疗改变了一个女人，她变得连丈夫都不能接受了。影片被提名竞争凯撒奖和威尼斯金狮奖。

20-year-old Margaux makes the acquaintance of 45-year-old Margaux: they have a lot in common – so much so that it turns out they are one and the same person, at two different ages and stages of their life…

A famous french actor is poisoned and dies right in the middle of a play. Martin, an actor friend, is soon suspected by the police while being hunted by the mysterious organization which ordered the murder.

安东尼（丹尼尔·奥图 Daniel Auteuil 饰）是酒吧的酒保，一天深夜下班回家的路上，他遇见了正在寻死的路易斯（何塞·加西亚 José Garcia 饰），安东尼将路易斯从死亡线上救了回来，可是被救后的路易斯并没有非常感激安东尼的意思，因为对他来说，一了百了的死掉比痛苦的活着也许要更好一些。 看到路易斯痛苦的模样，安东尼感到非常的自责，于是开始在各种各样的事情上对路易斯伸出援手。当安东尼得知路易斯痛苦的根源在一个名叫布兰奇（桑德利那·吉贝尔兰 Sandrine Kiberlain 饰）的身上时，他决定去找这个女人。而当他真的看到这个女人时，便已经被这个女人魅力所征服。

1996 film by Édouard Molinaro

Although he's now eighty years old, Claude Lherminier is still as imposing as he ever was. But his bouts of forgetfulness and confusion are becoming increasingly frequent. Even so, he stubbornly refuses to admit that anything is wrong. Carole, his oldest daughter, wages a daily and taxing battle to ensure that he's not left on his own. Claude suddenly decides on a whim to go to Florida. What lies behind this sudden trip?

When Parisian accountant Alex (Gilbert Melki) stumbles upon a routine identity check, he stops to watch. The police tell him to move along, but he insists on his right to do what he likes in public, a point of view that earns him a night in the cells. Still outraged in the morning, he is committed to a psychiatric clinic. Then starts an absurd and implacable machinery that plunges Alex inside a sort of kafkaian world. Once in the system, how is he meant to get out? Emmanuelle Cuau's Very Well, Thank You is a very realistic story of a normal man who got caught up in a system where giving a late sick leave's certificate to your employer can be a motive of dismissal, where watching policemen doing their job can be considered as an "offence". A system, eventually, that shows us that today's society don't take into account the individual, but on the contrary play with him through laws, abuses of power, lies and paperwork. A subtle, unsentimental political drama that is comic and horrifying by turns. 任職會計的阿歷士﹙基拔．梅爾基飾﹚有日在街上碰到警察進行身份的例行檢查便停下來觀看。警察叫他離開，但他堅持他有權在公共地方作他喜歡的事，這觀點使他被羈留了一晚。到了早上他依然是暴跳如雷，因而被送進精神病院。阿歷士亦因為制度的荒謬和部門的互不協調而無辜陷入某種卡夫卡式的世界中。一旦進入了制度內，他有甚麼辦法離開呢？ 《多謝夾唔該》以寫實的手法講述一個普通人因社會的制度而陷入困境，這制度容許僱主可以用僱員遲遞交病假紙作為解僱的理由，或是看警察辦公可被視作“違法行為”。這制度最後向我們証實現今的社會並不重視人權，相反，它透過法律、濫用權力、謊話及文書工作來玩弄人。 這是一部既幽默但又令人心驚膽跳，導演手法寫情細膩但毫不感情用事的政治意識寫實電影。