'If buildings could talk, what would they say about us?' Cathedrals of Culture offers six startling responses to this question. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world’s most humane prison; the Salk Institute, a scientific monastery on the California coast; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. Cathedrals of Culture explores how each of these landmarks reflects our culture and guards our collective memory.

Lea从小就成长在一个无法给她任何保护的家庭里，她原本是一个快乐而好奇的小女孩，然而当她的母亲回到前夫Ole身边时，她的生活发生了猛烈的变化。面对日常生活中的诸多烦恼，Lea只得借酒消愁。生下女儿Sonja之后，Lea希望和自己的家庭有一个了断，开始一段新的生活。她希望能把自己的女儿好好抚养长大，给女儿自己从未获得的保护。然而，很快Lea发现，她心有余而力不足，于是他不得不做出一个不可能的决定。

纪录片制作人玛格丽特·奥林（Margareth Olin）84 岁高龄的父亲是我们的向导，他以挪威西部奥尔德达伦山谷（Oldedalen Valley）令人目眩神迷的美丽山景为巨大背景，带领我们来到他的家族世世代代与大自然并肩生活的地方。奥林的目标是与父亲共度时光，沿着他的足迹行走，试图了解他。奥林告诉女儿，这需要一整年的时间，因此四季是纪录片的结构元素。在行走的过程中，他向女儿讲述了致命的雪崩、多次婚礼以及他与母亲长达 55 年的婚姻。同时，镜头飞越峡湾和冰湖、绿树成荫的山丘和古老的冰川。这部专为大银幕制作的影片，就像一部禅宗经书，让观众在体验中沉思。这是一部令人惊叹的电影作品，讲述的是生命、死亡、自然和简单地存在于这个世界上。

The Self Portrait is a film about choice - choosing life. This is a choice no one can make for you, you will have to make it yourself. The Norwegian artist Lene Marie Fossen (32) is an up and coming, unique talent in the world of photography, facing an international breakthrough. Critics claim she is among the best still photographers in our present time. At the same time she appears to be dying from anorexia. Lene Marie stopped eating when she was ten years old. She didn't want to grow up. Over time the disease has gained control over her body and poisoned her thoughts. The main conflict of the film is the one within Lene Maries's mind, always waging war on itself. Galleries in several countries want to exhibit her art. Lene Maries biggest goal is to have a solo exhibition. Will she be able to travel the world? Can she rid herself of shame by exposing it? The use of Lene Marie's self portraits in this film will offer a unique perspective on the complexity of this illness. The anxiety...