1998 film directed by Edgardo Cozarinsky

M., a right wing priest, discovers through three key meetings - with the army, a bourgeois family and a "third-worldist" priest - that your ideology is out of time.

The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.

Patagonia, Argentina, 1880s. During the Conquest of the Desert, Marguerite, the French wife of Colonel Garay, in charge of protecting a new railway, discovers that a French woman is being held captive by the local natives.

A thriller in which the characters are Latin-American exiles living in Paris. It is also a comedy about artists who play at revolution rather than actually participate in one

Via the New York Times: "...a dialogue between found objects... the remarkably calm, somewhat banal wartime journals of Ernst Junger, a German writer and army officer living in occupied Paris in World War II, and newsreel footage of Paris as it really was."

Medium is a film portrait of pianist and artist Margarita Fernández. Instead of retelling the story of a life, Edgardo Cozarinsky combines scenes of Fernández playing entire piano pieces with her reflections on music and art, memories of a specific concert, archive footage of performances in the 70s and encounters with her students. Brahms is the other protagonist of the film alongside Fernández, as everything seems to revolve around him for her: when she’s at the piano, in her stories and reflections, in her attempts to articulate what it means to make music, in her thoughts on passion. Fernández has an engagingly calm, intelligent and sensitive way of engaging with the world and the filmmaker and is more than an individual artistic personality in this film: Cozarinsky places her in an in-between space, making her visible as a mediator who builds bridges between the past and the present, between different generations, between scores and music, sounds and images and her art and that of cinema.

1938年，肖斯塔科维奇建议学生弗莱施曼（犹太人）以契诃夫的《罗斯柴尔德的小提琴》为蓝本，写作一部独幕歌剧。1941年，苏德战争爆发，弗莱施曼志愿从军，战死于列宁格勒外围防御阵地。1944，肖斯塔科维奇续完了学生遗作。1996年，法国拍摄的电影《罗斯柴尔德小提琴》取材于这段历史，并全部囊括这部长达四十多分钟的歌剧。俄国指挥大师罗日杰斯特文斯基为影片录制了歌剧录音。该版电影原声唱片见：

A long night's journey into day: Victor, a street hustler in the Santa Fe and Pueyrredón neighborhoods of Buenos Aires, from the evening of November 1, All Saints Day, to the dawn of November 2, All Souls Day. Victor's odyssey takes him from clients to friends to a gay gym then a hotel room and an all-night café. He plays pick-up soccer with kids whose parents are going through trash or waiting in parks. A vendor gives him a chrysanthemum. It seems he's being followed, and on the night streets, death is close at hand. Can Victor survive until dawn?