In a future world devoid of men, three young women order two men to come to them and ask them which of them they would prefer.

A beautiful woman, Supergirl Francesca Farnese, appears out of nowhere on a Bavarian highway. She wears only an orange jumpsuit and wants to go to Washington. Playboy Charly first takes her to Lake Starnberg, where she meets best-selling author Evers. He immediately leaves his wife and travels with Francesca to Spain, where he negotiates a project with the American film producer Polonsky. No one remains unimpressed by the mysterious beauty. Supergirl remains elusive— she quickly disappears again, leaving behind a warning to the inhabitants of Earth that an attack from outer space is imminent...

Christoph Waltz's film debut.

In this German film, Geissler is hired by gangster Krueger to go to Rome and buy secret documents. Although Krueger's daughter accompanies him, he kills the courier after reaching Rome and keeps the money. He decides to sell secret documents to a better buyer, even if the risks are greater.

Munich in the late Sixties must have been the coolest place on earth. At least when you look at some of the movies that were made around that time. "Detektive" is Rudolf Thome's feature debut, one year before he shot "Rote Sonne" (Red Sun) Link , and naturally it was a movie about girls and guns (and two cool dudes, proto slackers). The story is almost forgettable, it's all about the style. And, of course, Uschi Obermaier, the star of "Rote Sonne", whom Thome had discovered for "Detektive". (Consequently, for most of the time, Uschi runs around in her undies) The dialogues are hilarious, super deadpan, the crime plot is ridiculous, the cinemathography (b/w and scope) beautiful. Heavily indebted to the French Novelle Vague and Hollywood's classic gangster films, "Detektive" is miles away from the German New Wave around Wenders, Kluge and Fassbinder. That's what makes this little flic, shot with friends on weekends (and between tours through the bars in the Schwabing district), so special. In the lead, the great Marquard Bohm, something like the German Belmondo (a face like no other) and Uli Lommel, who went on to direct the German serial killer film "Die Zärtlichkeit der Wölfe" and numerous Hollywood b movies. Nuff said. Enjoy this very special gem!

This critically well-received independent German film production was made and first seen in 1970, but did not receive general release until 1971. A group of five scientists have invented a machine which will unravel the whole fabric of time and space but have managed to blot the full memory of their achievement from their minds. They did this to prevent the complete destruction of space-time as we know it. However, they also programmed themselves to remember everything if someone uses the key words "a big grey-blue bird." Gangsters bent on world domination and a young documentary film-team track down these scientists, each attempting to learn their secrets for completely different reasons.

爱德华是个电影制作人，他的未婚妻夏洛特是个演员，他们正准备将夏洛特的第一本书拍成电影，因电影脚本的需要，爱德华邀请了好友奥托到家来帮忙写脚本。夏洛特学古典吉他的侄女奥蒂丽，因为在学校不开心，被夏洛特邀请到这度假。四个人电影拍摄过程中发生错综复杂的感情纠葛。（豆瓣电影字幕翻译2.0小组）

《红日》，听上去好像国产片的名，但却是一部经典的西德CULT片，拍摄于1970年，导演鲁道夫·托姆（Rudolf Thome），而出演女一号Peggy的正是这位现实中就很CRAZY的乌丝琪·奥伯迈尔。 身无分文的托马斯刚从汉堡来到慕尼黑，在一个地下酒吧里遇见美丽的服务生Peggy，两人情投意合，托马斯暂住在Peggy家里。Peggy和另外三个女孩Sylvie，Isolde，Christine合租一间房子，而她们并不只是普通的住客这么简单，她们在房间里秘密制作炸弹，枪支，并且谋杀。原来Sylvie曾经的男友背叛了她，她把他杀死后其他几个女人居然都说Sylvie做得对，然后Peggy提议大家玩一个死亡游戏，规则是每个人出去找陌生人做自己的男友，但不能和他在一起超过五天时间，如果五天后他们之间的关系依然存在就表示一方已经爱上了另一方，那么代价就是女方必须亲手杀死男方！结果不少男人都死在了她们枪下。 四人中的Isolde渐渐无法忍受这样的疯狂，因为她不愿向自己的男友开枪，而同在屋檐下的托马斯也觉察到了无形的危险。终于一天晚上，Isolde趁三人外出时向托马斯和盘托出一切，托马斯陷入两难困境，一方面他自信Peggy已经爱上了他而不会向他下手，另一方面他又要想办法防止Sylvie和 Christine的暗害。然而事情却远没有他想象的那样，冷血的Sylvie开枪打死了叛变的Isolde，而在他们初次相遇的依萨河边，Peggy最终选择了开枪，两人展开撕杀，托马斯开枪打死了Peggy，自己也负伤倒下，河的远处，一轮红日升起。。。 印在海报上的标签所说 - Frei, Wild, Cool und Todlich（Free, Wild, Cool and Deadly），自由+狂野+极端+酷！