Realtor Eguchi has a strange encounter with a female ghost when he shows an old house to a client and later learns about a couple murdered by a robber there. Soon after this, he loses everything; his wife leaves him and ends up working at a building demolition company, where he becomes attracted to a colleague called Fujiko. However, the more he wants her, the more the female ghost that rocked the core of his peaceful life returns to haunt him.

Yuko, who was about to marry Tatsuo, lost Tatsuo in a car accident. Yuko is left injured and works for the debt left by her parents and her sister's school fees. Yuko who worked as a high-class club hostess. It was the most popular because of its appearance and cheerful customer service that keeps smiling. It is Akemi, a colleague, who glances at Yuko with a grudge. She was jealous of Yuko's popularity and had a strong hatred for being robbed of her customers ...

A police detective investigating a vicious string of homosexual murders discovers that the latest victim appears to be the married executive who was his college lover ten years before.

Yumi lost her husband seven years ago and runs a boarding house on her own. The four lodgers are Osaki, who has failed the entrance exam for ten years, former yakuza Yoneda and Yamaguchi, and her daughter Miyuki. On the seventh anniversary of her husband's death, Yumi, dressed in mourning clothes, comforts herself by talking to her late husband. Osaki peeks at Yumi as she climaxes, convulsing violently... First film in the "Widows Boarding House?" series directed by Daikei Shimizu.

Junnosuke and Kazuhiko are a couple who live with each other. However, one day Kazuhiko gets drunk and sleeps with a female employee of the company and she gets pregnant.

In a small fishing village in northern Kanto, Nami stands at the edge of the dock, waiting for her husband’s boat to return. While waiting, Nami lives with her father-in-law, Gengoro, who uses her nightly as he pleases. One day, a man named Kaneda washes up at the port, in hiding after committing a heinous sex crime, and begins to work for a fisherman named Kunio. While Kaneda is doing his best to reform his life, all hell breaks loose when he crosses paths with Nami, and his natural urges kick back in.

Kizuki takes a job teaching painting at a free school, and his target is Yoichi, a student and guard. One day, Kizuki invites Yoichi and her friend Tooru to her home and asks them to be nude models. Youichi is confused by Kizuki's desire to film her in a fundoshi and masturbation scene, but he shows Yoichi his gas mask and combat uniform and tells him about his life in which he has lived wearing a mask. Yoichi, who is not disgusted by Kizuki's blow job, begins to think that he wants to be true to his sexuality...

The film follows a schoolgirl (played by Minori Majokoro) navigating Tokyo’s crowded private railway lines, where she encounters a molester (chikan). The narrative unfolds through loosely connected vignettes, blending public risk with private intimacy. Unlike the first film’s marital subplot, this sequel centers on the protagonist’s journey from victim to “Supervixen,” embracing or manipulating the encounters in train cars, stations, and secluded settings. Key scenes include initial groping, seductive teasing, and a climactic role reversal, all wrapped in schoolgirl uniforms and POV shots for immersion.

When a young business man tried to open up his relationship to his girlfriend, the other man told him they had broken up and said they were 2 people. Shocked, one day at his workplace he ran into a young man who had been shown a picture of his ex-girlfriend as a new man, and his frustration grew. The next night he met the young man again at a gay bar and confronted him about the robbery, but he had no idea and realized it was his ex-girlfriend's lie. The distance between the two has narrowed, but there is a certain situation with him...