what a beautiful picture, what a great puzzle of poetry. there are many things that can be said about 'Sadgati'.
first of all, men try to succeed but fail in doing so, while women accomplish everything they want to do. women are happy, but become sad because of men. does this mean women do things better than men? this thought is shown with the use of insects: every time a woman does something in the film, we see grand things, like a big pile of mud and an expensive house. every time a man tries something in the film, he is put in the picture with insects close to the work he tries to do. does this mean men are insects? the dust can be Representative for the awareness of the women, who know something bad is going to happen. the big house of the 'bad' woman is full of richness and luxury. does this mean money kills emotion? could be, because the owners of the big house sleep in separate beds. so there's no mention of love in money? money is bad? but if money is bad, why do the poor men die? is poverty a richness? could be, because the real problems are left for the rich men, who will now have to explain why everything went wrong. however, the last image of the film shows us the real 'bad guy': the work itself. there will always be poor people and rich people because of the differences of work. that's not fair. because of that, accidents do happen as in the end of the film. if they should accept each other for who they are and without profits from work, everything would be fine.
with the difference of work, changes in character are important to the story too. the ant works hard and the grasshopper does nothing. it would be great if the ant and the grasshopper would be the same.
because that's the meaning of the picture: acceptance of who we are, knowledge of each others differences and the love of understanding.

Documentary on director Satyajit Ray, featuring an extensive interview and clips from his films, and location shooting of his film "The Home and the World."

Coming from a poor and destitute family, Urvashi is encouraged by her mother, Shanta (Sualbha Deshpande) to be on more than friendly terms with a much older male, Keshav Dalvi (Amol Palekar). Keshav takes a liking to young Urvashi, and encourages her to explore her talents in films, which she does, and does gain popularity, starting as a singer, than accomplishing herself as an actress/singer. She decides to marry Keshav, only to be discouraged by her own mother, but she is strong-willed, and does marry him. She has a baby girl after the marriage, but feels stifled and oppressed with Keshav, and has affairs with her co-star Rajan (Anant Nag), a film producer, Sunil Verma (Naseeruddin Shah), but ends up dissatisfied. Then she meets wealthy Vinayak Kale (Amrish Puri), and decides to settle down with him, little knowing that he is already married to another woman, and also has a son. By the time she finds out it is too late, she has already been accepted in his household, and any woman, whether his own mother(Dina Pathak), his present handicapped wife, and even Urvashi have to follow the rules laid down - no women can leave the house under any circumstances, except after death.

Charandas Chor (Charandas the Thief) is 1975 children's film made by noted director Shyam Benegal, based on the famous play by Habib Tanvir, which itself was an adaptation of a classical Rajasthani folktale by Vijaydan Detha. Lyrics of the film were also by Habib Tanvir.

丈夫去世后，马哈詹夫人照顾着四家机构，与两个儿子--莫汉医生和他的妻子玛雅、苏巴什·马哈詹律师和他的妻子萨维特里以及他们的女儿拉妮--一起过着舒适的生活。萨维特丽并不快乐，因为她希望自己能有一番事业。当她得到一份在遥远的桑加姆瓦迪（Sangamwadi）一家女子感化院担任院长的工作时，她终于有机会证明自己在社会服务方面的能力。虽然拉妮和苏巴什以及家里其他人都反对她去，但她还是下定了决心。

In the 1980s, a lawyer defends a tribal man who is under arrest for killing his own wife. As he proceeds with the case, he learns about the harsh life of scheduled tribes in India.

A man whose wife is abducted seeks to have the culprits prosecuted for their crime, but no one will help him. Meanwhile, the wife—abused and berated by her abductors—cannot bring herself to face her husband.

A workaholic businessman neglects his only son after his wife's death. The son grows up to be a rebellious alcoholic.

A policeman's son becomes a criminal after a childhood incident creates a rift between them.

The semi-autobiographical film was written by Mahesh Bhatt about his extramarital relationship with actress Parveen Babi.