Michale is a thirty year old woman. She works with her father in a Tel Aviv accounting office providing services to important religious institutions. She divides her time between her child, her husband, her work and the man with whom she is having an affair. When Michale learns of the tragic death of her lover, her life is shattered.

The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.

Rules must be followed. For the “supervisors” of a Bat Yam neighborhood in Israel, this means ensuring that women are dressed appropriately, that people respect Shabbat, or that Arabs from Jaffa don’t enter the neighborhood with music blaring from their cars. Avi, Kobi and Yaniv are young and know how to fight. Avi is their leader. The group’s dynamic is challenged when Avi threatens a young woman that doesn’t follow their rules, a woman he’s about to fall in love with…

Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.

Zaza is a 31-year old Israeli bachelor, handsome and intelligent, and his family wants to see him married. But tradition dictates that Zaza has to choose a young virgin. She must be beautiful and from a good family, preferably rich. Zaza's parents, Yasha and Lily drag Zaza to meet potential brides and their families. Zaza has no choice. He plays along with his family, advocates of the suffocating traditions of their Georgian Jewish heritage. But Zaza always manages to somehow get out of being engaged. What his parents don't know is that Zaza is already in love. Judith is sensuous, strong and intriguing. She's also a divorcée with a 6-year-old daughter. So Zaza has kept Judith a secret from his family. He will have to choose between respect of the strict confines of family and tradition, or the love of his life.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.