A long series of unrelated images, revolving, often distorted: lights, flowers, nails. A lightboard appears from time to time carrying the news of the day. Then, an eye. A woman in a car drives along country roads. Farm animals. She descends from the car, again and again. Images: dancing legs, seashore, swimming fish, geometric shapes, cut glass. A man removes his starched collar. It rotates. A girl has garishly painted eyes. No, she's only fooling. Those were her eyelids.

Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide to drive to Paris. Country roads, hills, fences. The posh "chateau" appears again: meticulous garden, fancy interior, odd sculptures. And at home? "No one, NO ONE." For the next two days, masked figures play dice, frolic by the pool, perform exercises with a ball. Two new figures arrive. Masked. They search and find the dice. They dance. Mannequin hands hold a pair of dice.

实验薄膜，白色斑点和形状回转在黑色背景上，光条纹躯干，一回转板条格形。其中第一个达达主义的电影。

Robert Desnos 的诗

Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."

达达艺术家Man Ray现在被认为是二十世纪颇有影响的艺术家。他只拍过四部电影：迷幻又轻松的《有理由的回归》，抽象且达达主义的《Emak Bakla》，根据Robert Desnos的诗创作的《海星》，超现实主义的《城堡的秘密》。这部作品集还收录了十多部拍摄于1923年和1940年之间以前未发表的传记短片。

达达艺术家Man Ray现在被认为是二十世纪颇有影响的艺术家。他只拍过四部电影：迷幻又轻松的《有理由的回归》，抽象且达达主义的《Emak Bakla》，根据Robert Desnos的诗创作的《海星》，超现实主义的《城堡的秘密》。这部作品集还收录了十多部拍摄于1923年和1940年之间以前未发表的传记短片。

《重拾理智》（1923）不用实拍的rayograph视艺叫巴黎艺术圈惊艳，属达达主义达人经典。占渣木殊主催的半即兴配乐为回顾增添新理由，百年纪念不如检视更多，二十年代四出曼雷，乍见两个前卫主义因子共舞。《别烦我》（1926）形态为先再下一城，却被评为「超现实主义你识条铁」。于是《海星》（1928）决意透过朦胧图像展示超现实诗，及时为缪思「蒙帕纳斯的琪琪」的美腿留影。《骰子堡垒之谜》（1929）已是失恋散心出走巴黎，摇骰子决定起舞还是游泳。