what a beautiful picture, what a great puzzle of poetry. there are many things that can be said about 'Sadgati'.
first of all, men try to succeed but fail in doing so, while women accomplish everything they want to do. women are happy, but become sad because of men. does this mean women do things better than men? this thought is shown with the use of insects: every time a woman does something in the film, we see grand things, like a big pile of mud and an expensive house. every time a man tries something in the film, he is put in the picture with insects close to the work he tries to do. does this mean men are insects? the dust can be Representative for the awareness of the women, who know something bad is going to happen. the big house of the 'bad' woman is full of richness and luxury. does this mean money kills emotion? could be, because the owners of the big house sleep in separate beds. so there's no mention of love in money? money is bad? but if money is bad, why do the poor men die? is poverty a richness? could be, because the real problems are left for the rich men, who will now have to explain why everything went wrong. however, the last image of the film shows us the real 'bad guy': the work itself. there will always be poor people and rich people because of the differences of work. that's not fair. because of that, accidents do happen as in the end of the film. if they should accept each other for who they are and without profits from work, everything would be fine.
with the difference of work, changes in character are important to the story too. the ant works hard and the grasshopper does nothing. it would be great if the ant and the grasshopper would be the same.
because that's the meaning of the picture: acceptance of who we are, knowledge of each others differences and the love of understanding.

A mother sea-turtle has to return to the waters leaving the eggs for nesting on the shore.... The nests are to be protected so that the newborn turtles can go into the deep waters on their own! Nonviolent, non-aggressive turtle is a metaphor and much more.....

这部笑中带泪的印度公路喜剧片围绕一个刚刚失去亲人的大家族展开。相当于家族族长的老爷爷去世了，他生前留下了想把骨灰撒在某个特定地点的心愿，而且只有做到了这一点，家人们才能阅读他的遗嘱。为此，一大家子载着骨灰盒，开着车上路了，而这趟旅途也撕开了和谐相处的表象，为他们提供了释 放压力的机会。到旅途终点，不再压抑内心真实想法的亲戚能否达成和解？ 本片入选2020年东京国际电影节。

Coming from a poor and destitute family, Urvashi is encouraged by her mother, Shanta (Sualbha Deshpande) to be on more than friendly terms with a much older male, Keshav Dalvi (Amol Palekar). Keshav takes a liking to young Urvashi, and encourages her to explore her talents in films, which she does, and does gain popularity, starting as a singer, than accomplishing herself as an actress/singer. She decides to marry Keshav, only to be discouraged by her own mother, but she is strong-willed, and does marry him. She has a baby girl after the marriage, but feels stifled and oppressed with Keshav, and has affairs with her co-star Rajan (Anant Nag), a film producer, Sunil Verma (Naseeruddin Shah), but ends up dissatisfied. Then she meets wealthy Vinayak Kale (Amrish Puri), and decides to settle down with him, little knowing that he is already married to another woman, and also has a son. By the time she finds out it is too late, she has already been accepted in his household, and any woman, whether his own mother(Dina Pathak), his present handicapped wife, and even Urvashi have to follow the rules laid down - no women can leave the house under any circumstances, except after death.

欺弱怕恶的特帕特，此人欺压百姓，无恶不做，凯丽是位既懂法律的城里姑娘，嫁给了与其相爱的农村小伙子维纳。特帕特为了达到占用维纳的采石场，为了使凯丽的家倾家荡产不择手段。然而维纳因经营有方而发了财，特帕特因眼红而把维特杀了，凯丽为了替夫报仇而利用自己的智慧，再联合其它受害妇女一起将特帕特送上了断头台。

在2016年克什米尔动乱之后，当地一名年轻的战地特工Zooni Haksar被Rajeshwari Swaminathan从总理办公室挑选出来执行一项绝密任务。他们的目标是什么？通过做绝对不可能的事情——废除臭名昭著的第370条，打击恐怖主义，结束山谷中价值数十亿美元的冲突经济。这也是，没有洒下一滴无辜的血。

In the 1980s, a lawyer defends a tribal man who is under arrest for killing his own wife. As he proceeds with the case, he learns about the harsh life of scheduled tribes in India.

A man whose wife is abducted seeks to have the culprits prosecuted for their crime, but no one will help him. Meanwhile, the wife—abused and berated by her abductors—cannot bring herself to face her husband.

2005 film by Prakash Jha

On the trail of an underworld contract killer, a dedicated police officer is thrust into a battle between good vs evil.

Dr.Suman Asthana is a doctor, whose husband Anil Asthana is missing since last 11 days and investigating officer DCP Shekhawat is unable to find him. A psychic child patient revels the whereabouts of Dr.Anil and opens the doors of secrets.