After losing his parents at a very tender age, Bhotbhoti was raised in a ghetto close to the Ganges by his 'daadi' (grandmother) who too has passed away. Daadi was a great story-teller and Bhotbhotis favourite story was the one about mermaids and their world that exists, or rather flourishes underwater. Bhotbhoti's belief was further strenthened when he found out, not in the distant past, a story (movie) on mermaids that floats on the televison screen, called The Mermaid Princess. His most prized possession, the dvd of the film stays in his little trunk under his chowki (bed) until he takes it out every night and puts it into his battered but not run-down collected and repaired dvd player which brings to him his Ariel (the name of the mermaid in the film). The Ganges calls out to him and while his friends (group members) are sloshed, he dives into the waters to look for his mermaid queen, but she is ever-elusive.

A retired 65-year-old widower lives alone as his wedding planner son runs a busy business, and he's determined to see his son get married.

2018 film directed by Pratim D. Gupta

One night, the newlywed Romita is molested by five men until Jhinuk, a teacher, helps save her. But even after the incident ends, the two women are faced with several hurdles.

A British administrator with a flair for game hunting develops a friendship with a commoner who is an expert archer in an Indian village. The movie portrays the relationship between the British colonialists, and native villagers who were exploited by Indian landlords in 1920s India. This happens against the backdrop of the awakening of the Indian people against the British rule.

2019 film by Srijit Mukherji

Family tension runs high when four grown siblings reunite at their elderly mother’s home. When the mother reveals that she might sell off the estate, the announcement stirs up painful memories and uncovers a long-buried secret.

Marital strife follows when an aging filmmaker meets an actress who bears an uncanny resemblance to his wife in her younger days.

The bread-winning daughter in a middle-class family fails to return from work one evening. The saga begins with worries at home, followed by midnight searches and finally a deepening crisis arising out of economic and moral constraints prevalent in the society. Yet the film speaks of hope and of strength hidden behind despair.

​A pre-teenager servant boy dies of carbon monoxide poisoning on a cold winter night in the kitchen. The happy household is suddenly thrown into a psychological trauma. Torn between a sense of guilt and fear of a police case and consequently scandal, the employer and his wife expose their petty, hypocritical selves.