In the style of Woody Allen's "What's Up, Tiger Lily?", this is a comedic redubbing of "Los Amantes del desierto (1957)" that became a spoof of the Spanish political situation of its day.

In the 1830's beaver trapper Flint Mitchell and other white men hunt and trap in the then unnamed territories of Montana and Idaho. Flint marries a Blackfoot woman as a way to gain entrance into her people's rich lands, but finds she means more to him than a ticket to good beaver habitat.

A young Seminole indian boy comes of age outside the Florida Everglades by trying to enter the establishment (white man's world). He gets work as crew member on (Brian Keith's) fishing boat, hunts for alligators and has cathartic encounters with bad guys trying to bring illegal aliens into Florida on fishing boats.

1945 Mexican film by Fernando A. Rivero

Pechudo is a magnificent jet-black stallion who epitomizes the adjective, "freedom." Running wild in Mexico, Pechudo and his running mates are constantly being sought out and captured by ranchers. Time and again, however, Pechudo would elude capture, then return and seek out his fellow mustangs and free them, and the adventure would repeat itself.

Mr. Roarke and his assistant Tattoo greet a former reporter in World War II who wants to relive a brief romance that took place in London 30 years ago, a big-game hunter who, for once, wants to be the hunted and a wealthy businesswoman who wants to be a secret and silent observer at her own funeral.

When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.

1943 film by Norman Foster

In California, a Mexican-American laborer is falsely accused of shooting the racist farmer he was working for after the farmer stiffed him with a bad check.

A man who has lost everything joins others paid to convey a wealthy man's wife - and a mysterious treasure - to safety in San Francisco.

1946 film by Emilio Fernández

Mexican love stories follow a dying man, a bullfighter's sister and lovers from feuding villages.

A young man is torn between the woman he loves and his loyalty to his father, the leader of a Mexican gang.

A super-hero uses her powers to thwart an international spy ring.

The swishing fop Don Diego de la Vega becomes the swashbuckling masked hero Zorro when tyranny threatens his people in nineteenth-century California.

When a young woman's skeletal remains turn up on a Massachusetts beach, Barnstable cop Peter Moralas teams with Boston police and uses forensics, with the help of a Harvard professor, to determine the woman's identity, how she died, and who killed her.

Roddy McDowall takes you, film by film, from production meetings to make-up sessions, then right onto the movie set to see the actual filming of the science fiction masterpiece. The most comprehensive history of Planet of the Apes ever created, this fascinating 127-minute documentary explores one of the most imaginative and influential series in movie history.

The Colbys is an American prime time soap opera, which originally aired on ABC from November 20, 1985 to March 26, 1987. Produced by Aaron Spelling, it was a spin-off of Dynasty, which had been the highest rated series for the 1984–1985 U.S. television season. The Colbys revolved around another wealthy, upper-class family, who were distant relatives of the Carringtons of Dynasty and who owned a large multi-national corporation. Intended to surpass its predecessor in opulence, the series' producers were handed an immensely high budget for the era and cast a handful of well-known movie stars among its leads, including Charlton Heston, Barbara Stanwyck, Katharine Ross and Ricardo Montalban. However, The Colbys was ultimately a ratings disappointment, and was canceled after two seasons.