There are different children in one ward: one has completely gone into the virtual reality world of computer games and decided that he has ceased to be a person and turned into a Creature. The second, through the fault of his stepfather, was carried away by the ideas of Nazism. The third, a boy from a prosperous family, no longer wanted to live and tried to step off the balcony. The fourth is just silent and hates everyone.

电视节目 26min

The ARM Ministry of Culture, Cinema Centre of Armenia, and Hayk Ordyan present a documentary about world-famous film director, author of distant montage Artavazd Peleshyan.
World-famous American documentarist Godfrey Reggio, German well-known film critic Hans Joahim Shlegel, Russian film world authorities Mikhail Shvidkoy, Sergey Miroshnichenko, Peleshyan's close friends -- painter Hakob Hakobyan, composer Tigran Mansuryan and those who had the chance to know great director's works, tell about their impressions.
On december 6, 2009 took place the film's premiere in "Moscow" Cinema and then it was aired on Armenian Public Television.
In May, 2010 "The Poet of Cinema: Artavazd Peleshyan" documentary participated in the film markets of Cannes and East Silver Film Festivals, Prague

Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - and contrasts it with the shocking request Parajanov sent him in unpublished 1974 letters from the Soviet prisons. Vartanov's camera documents Parajanov's striking last day at work in 1990 during the making of the unfinished Confession - the original camera negative of which survives in Parajanov: The Last Spring (1992) - as Parajanov comments on this cherished autobiographical work. A monumental wordless montage - the entire sixth reel - concludes Vartanov's acclaimed documentary, his final film, and his most important work, which, despite the prohibitive conditions it was created in, won the admiration of cinema's greatest artists.

I am Sergei Parajanov! shot a few months after Parajanov's death. Features archive photographs, his collages, the clips from Sayat-Nova (1968), Ashik Kerib (1988), the making of The Legend of the Surami Fortress (1984) and a few views of the house he lived.

The film shows the unique world of artist Sergei Parajanov, whose brilliant images in films and collages aroused the suspicion of Soviet authorities.

Film devoted to director Sergei Parajanov. The film is designed as a confession of the director. There are pictures of various episodes of his life, while shooting, at his home, in prison... The commentary comes in the form of a monologue consisting of excerpts from letters, notes and scripts of his unfinished film The Confession.

A bunch of stories, portraits and images about people of amazing destinies, including Parajanov and Tarkovsky, merging into a non-traditional and polemic image of Armenia.