The major of special forces Ilya is young, beautiful and, we can say, happy! He marries, and for him it is a profitable party — his wife is not beautiful, but the daughter of rich parents. However, on the wedding day begins a nightmare. Yana Yanovskaya — the former mistress of Ilya who came to congratulate him is killed, and he is suspected of murder. The investigation begins, during which it turns out that Ilya is innocent. However, the shadow of suspicion still hanging over him, and, wishing to prove that he is innocent, Ilya begins his own investigation. He finds the real killer — and this discovery will stun him…

Five stories and many more lives that are affected, they flow by each other and sometimes intersect. In one way or other we talk about emotional scars that each of us carries around. Events take place in a space of a few days as our heroes try to cope with their past and move on with their lives.

In The Door, we open with a young man sneaking into what looks like an abandoned city. We soon learn that the city is one of those evacuated by the disaster at Chernobyl. The man has returned to bring back the door of his old home. The door is a piece of tradition; his father’s body was carried on it at his funeral. Now the young man brings the door home for the funeral of his daughter, lost to disease from the radiation. The film takes place in the Ukraine, but is written and directed by Irish filmmaker Juanita Wilson. She brings a very contemplative tone to the piece. Snowy landscapes, the evacuation in flashback, a somber funeral – everything gives a sense of the desolation of the family’s situation. It’s a slow, very beautiful film.