In Guanajuato, a piano teacher delays her marriage to an engineer not to let her younger sisters alone. As he is love with her voice, he is mistaken for a sister whom he marries. The teacher then goes to the capital. There she becomes part of a family of young students, who believe she is the mistress of his father, so she suffers the scorn and reproach. Over the years the parents die and she renounces to the inheritance they leave her.

Bad girl makes lives miserable.

1950 film by Emilio Gómez Muriel

1951 film by Chano Urueta

La historia gira alrededor de Toña, una mujer envuelta en el huracán revolucionario cuando sus hermanos escapan de casa en busca de un gobierno democrático.

1952 film by Emilio Fernández

Reactionary local "Big Daddy" tries to prevent a school being built in his district.

In a small Mexican village the news shock neighbors, Ricardo Alfaro, a wealthy local rancher has disappeared without a trace. Taking advantage of the circumstance, Aurora Campos, a strong woman with overwhelming beauty, convinces the authorities to sell her the property in exchange for twelve thousand dollars. Soon after, when Ricardo suddenly reappears, a real battle is about to begin.

The story of the doomed love between Soledad and Román. She is the daughter of a rich man that wants to marry her with Ernesto, nephew of his friend, the judge. Román owns a little ranch. A brawl in the town will unleash several deaths that will affect the already difficult relationship.

Young woman's fiance unexpectedly falls in love with her mom, and ends up arranging the young woman's death.

Bernardo is in love with Adela and although she does not belong, he has always helped her family although they only care about money and not the virtues of man.

Amalia, aged, remember when Fernando Mendoza, his former medical school, came to San Esteban, the town where she lived. They worked together and became his love. Although he was engaged to another, Fernando decided to return to the city to complete his commitment to her and finally reunited with Amalia, but the facts do not happen as they had planned.

A hacienda seem to be haunted by La Llondra, the crying woman.

Three married couples gather to celebrate the eighteenth anniversary of their marriage mourning the absence of a friend who was best man at all three weddings.

The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.

Hailed by critics as one of the best Mexican films ever made, VICTIMAS DEL PECADO explores the mysterious, exotic underworld of postwar Mexico City. Violeta (Ninon Sevilla), a beautiful cabaret dancer, rescues an abandoned baby from a garbage can and decides to raise him. Love blossoms unexpectedly when Santiago (Tito Junco) meets Violeta in the red light district and protects her from the perverse pimp that shadows her life. Powerfully told, the story unfolds in the midst of nocturnal ambiance with musical numbers by mambo king Damaso Perez Prado, and Pedro Vargas, one of Mexico's most popular singers of the era. Featuring the astounding direction of Emilio "Indio" Fernandez and the stunning cinematography of Academy Award nominee Gabriel Figueroa, VICTIMAS DE PECADO is an international classic.

During Mexican Revolution, Rosalio Mendoza (Del Diestro) survives by making and winning favors from both factions, the governmental forces and Zapata's Army. His hacienda welcomes everybody, and Mendoza is considered a good friend of his guests. Eventually, the situation becomes unsustainable and he has to take sides. Betrayal and deception overcome and Mendoza's dark side surfaces.

The president of Mexico has his country and people at heart, and he is looking for solutions. He knew that education is the key to making his country a better place, that's why he targeted the educators and gave them special assignments. This is where maria Felix shows that she has interest in her village Rio Escondido and her nation as well. This shows how teachers have are very influential or is necessary for the development of a nation and even those in authority knew that and invested in that. Nevertheless, even though there are people who want things to change there are people who will oppose these positive changes because they will not gain as much want as they want and probably loose some of their power because people have become aware of the injustice done to them like wise gain the ability to be on equal grounds with these unfair figures. This was the case of the selfish mean president of the municipal of Escondido. He recognized the talent of maria Felix and pretended he cared for the people and even her. This shows that we must be careful of people when the show certain changes quickly because they recognized talent , and don't fall for these changes but observe these person to make sure it was genuine changes , as in the case of the PM of the municipal , who did that because he liked maria Felix. Ultimately, because of his double standards she was able to complete her task of gaining means and methods of helping her country. This also tells us we can also learn from our mistakes and from the people who are doing injustices in our communities and because of these local experiences we are therefore able to help other communities and ultimately nations.

A young journalist asks an old artist about the portrait of a naked Indian woman that he has in his study. The artist tells the story of Maria Candelaria, a young Indian woman who was rejected by her own people for being the daughter of a prostitute. She is protected by a young Indian man, Lorenzo Rafael, who has fallen in love with her.