1984 film by Guilherme de Almeida Prado

1988 film by Paulo Sérgio Almeida

Three American businessmen have a problem with their Brazilian company: someone is embezzling millions of dollars. Michael is having an affair with Frank's wife Paige, but wants to end it. Paige is not so accommodating, and causes trouble with Michael's wife Kitty and his new interest, local artist Miranda. When someone is murdered Michael becomes a suspect, and must try to find the murderer and catch the embezzler while sorting out the wreckage of his personal life.

2017 film

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.

Adventurer travels by train through the State of Minas Gerais, Brazil, meeting old and new lovers and remembers love-affairs of his youth. Based on Guimaraes Rosa's novel. Focusing on the culture and beliefs of the people in the state of Minas Geraes in Brazil, this highly innovative drama by director Carlos Alberto Prates-Correia continuously blurs the line between fantasy and reality. At center stage is a man and his life, viewed from the perspective of his dreams, visions of the past, interpretations of the present, and a "real" world somewhere in-between. Cultural and social vignettes from life in Minas Geraes are interspersed throughout the film; the avant-garde approach of Prates-Correia contorts some of these vignettes into enigmas.

Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.