The story concerns the Yugoslavian holiday of two toothsome Swedish girls. One of the girls, played by Maria Liljedahl, is (metaphorically speaking) a world-champion in the promiscuity sweepstakes, bedding men (and women) in great profusion. Somehow, the movie also manages to be about film reviewers and film directors. Variety commented '...the film's inherently good visual and physical qualities are themselves dissipated in [the director's] cynicism, ennui, and involuted intellectual mirror tricks.'

A man heading through the countryside is drawn to a strange castle, which is reputed by the locals to be haunted. There he meets a beguiling young woman who ensnares him in her world of secrets.

Ahmet Nurudin is a dervish and head of the Islamic monastery of the Mevlevi order in Sarajevo. He is a personification of morale and dogmatic belief, everything that Muslim religion of the Ottoman rule rests on. Throughout his life, the atmosphere of the city, the relations with the judge and the mechanism of government, the image of Ottoman Empire at the beginning of the nineteenth century is being revealed. Based on a highly praised novel by Meša Selimović.

This critically well-received independent German film production was made and first seen in 1970, but did not receive general release until 1971. A group of five scientists have invented a machine which will unravel the whole fabric of time and space but have managed to blot the full memory of their achievement from their minds. They did this to prevent the complete destruction of space-time as we know it. However, they also programmed themselves to remember everything if someone uses the key words "a big grey-blue bird." Gangsters bent on world domination and a young documentary film-team track down these scientists, each attempting to learn their secrets for completely different reasons.