Gaspar Noé — Actor (7)
The Rock of Acapulco (1996) [Movie] WikiData IMDb TMDB
Le rocher d'Acapulco
other title: Le rocher d'Acapulco / Le Rocher d'Acapulco
Sandrine dreams of becoming a singer in Paris but for the time being she is only a salesgirl at Tati's and lives in a second rate hotel under the careful eye of Ahmed, the night watchman. One day, she meets Gérald, her brother's former boyfriend, who persuades her to move into his apartment. He soon takes control over Sandrine's life, organizing erotic rendezvous for her, taking her to her clients and waiting for her until she is through with her task.
Exorcismo: The Transgressive Legacy of Clasificada “S” (2024) [Movie] WikiData IMDb TMDB
Exorcismo: The Transgressive Legacy of Clasificada “S”
director: Alberto Sedano actor: Iggy Pop / Alejandro Melero
other title: Clasificado «S»: transgresión en la Transición / 驱邪:“S 级” 分级的越界遗产
Spain, 1975. Franco's death opens the door to the possibility of uncensored cinema. After two years of relaxed censorship, it is abolished in 1977, and the “S” rating is created to protect viewers from films that may “offend their sensibilities.”
Schirkoa: In Lies We Trust (2024) [Movie] IMDb Douban
Schirkoa: In Lies We Trust
director: Ishan Shukla actor: 格什菲·法拉哈尼 / 艾莎·阿基多
other title: 废托邦 / 袋头乱世:谎言乌托邦(台)
Rumours about a mythical free land sow havoc in an ultra-regulated society where citizens wear paper bags on their heads to dissolve their differences. In this stylish sci-fi animation, a well-oiled system with echoes of George Orwell’s 1984, starts crumbling when whispers of a land where freedom reigns begin to spread. The hero, a fresh council member in love with a free-spirited girl, finds himself involved in a complicated net of incidents that open his eyes to a new reality.
Schirkoa: In Lies We Trust is based on Ishan Shukla’s 2016 multi-award winning short and voiced by a star cast including Golshifteh Farahani, Asia Argento, Lav Diaz and Gaspar Noé. Shot using a video game engine geared toward greater innovation and aesthetic control, the film combines 3D and 2D technologies to build cool, sophisticated visuals, architectures with pronounced geometries, and a noirish atmosphere. Shukla revels in classical dystopian topics: a society of control, pervasive brainwashing, amorphous crowds, the impulse toward liberation and the mirrored fear of it. He simultaneously establishes intriguing parallelisms with recent contemporary events – revolts for freedom, civil disobedience and the masked pandemic world.
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