The familiar song is adapted into a cartoon short. Abdul The Bulbul-Ameer, a rotund Arab, gets into a brawl with Ivan Skavinski Scavar, a preening Russian Cossack, over an offense to Abdul's pride. Groucho Marx and a newsreel crew provide running commentary as the pair pummel each other and the surrounding square.

An American Indian boy and girl sing and dance in the forest along with the animals. Trouble begins when a fire threatens baby birds in their nest.

Bosko enters a road race.

While romping through the forest, Bosko falls asleep and dreams of giants and gnomes.

Bosko and Honey go to the zoo. Honey is frightened by the lion, but Bosko is the one who ends up in danger.

Bosko the woodsman spurns cutting down trees and plays music instead. The trees and animals dance and make their own music.

Ride Him, Bosko! is a western-flavored cartoon with lots of shooting gags involving body reduction, and card characters singing! There's also an alcohol gag that has a really strong one turning a male piano player into a woman instantly!

A mannequin in the city dump improvises a working piano from junk, then plays and sings the title song. Various discarded items join in with song or dance.

The last Goopy Geer cartoon. The king returns to his castle, and asks where the queen is; she's in the parlor, and won't be seen, according to the title song. He goes to his throne and summons his jester, Goopy Geer. A black knight arrives and threatens one of the young ladies in court; Goopy Geer fights him off, first with an ax, then in armor from kitchen utensils, then butting him with a mounted animal head, which makes the knight's armor fall apart. He pulls it together again and runs away.

Bosko is a construction worker who impresses Honey by making music from everything in sight, including a decapitated mouse, a typewriter and a goat filled with hot air.

Bosko hunts in the jungle, but ends up playing music with the animals.