The central motif of the four-part love story Brush Me Tender, Brush Me Sweet is the complicated relationship between two surprising heroes who cannot be together, but neither can they be without each other, and are learning to live in a world affected by the coronavirus. They are Kartí and Pucinka, toothbrushes.

Story of two brothers whose cinematic fate intersects with real events surrounding a group of correspondents of the international editorial office of Czechoslovak Radio in the period 1967-1968. The prototypes for the film characters were real members of the then Editorial Board of International Life, headed by Milan Weiner.