埃曼诺·奥尔米 — Director (29)

Movie

Three Lines to Milan (1958)
Tre fili fino a Milano IMDb TMDB
other title: Tre fili fino a Milano
A documentary showing workmen erecting one of the pylons and stringing up three cables which will eventually reach to Milan.

Movie

走啊,走 (1983)
Cammina, cammina Douban
other title: Cammina, cammina
老天文学家梅尔神父有个时常谋反的弟子鲁波,他们一起守护着—座倒塌了的寺庙。一天夜里,他们和惊醒了的全城居民一样突然看到一束耀眼的亮光,这是救世主降临人世的征兆。许人跟着梅尔神父去朝拜上帝之子,国王也让神父带上自己的珍贵礼品。人们走了六天六夜。快到伯利恒时,梅尔神父—行遇到了另外两队前来参拜的人。三队人合在一处继续前行。残酷的犹太王很惶恐,派自已的卫兵尾随着队伍。在一座城堡的废墟里,他们找到了上帝之子。三贤士捧上祝福的礼品,并得到上帝之子父母回赠绐他们的三块面包。夜晚,众人已熟睡,出现—个预示危险的征兆,大家只好尽快上路回家。三贤士掩盖了和上帝之子会见的所有迹象,包括那三块面包,然后匆匆分手上路。一个卫兵从梅尔神父的帐篷里溜出,回到那城堡废墟想看看究竟发生了什么。他看到的仅仅是犹太王的卫兵们造成的一片死亡景象,那孩子据说已经安全出逃。

Movie

The Circumstance (1974)
La circostanza WikiData IMDb TMDB Douban
other title: 情况 / La circostanza …
Laura, a woman of a certain age with full grown children who, by all indications should be leading a great life, but actually, she appears to have none. She comes from a wealthy family. Laura has made herself a lawyer with a nice practice. Her placid existence comes to an abrupt stop when a young motorcyclist suffers an accident almost in front o her. Laura is made to take the youth to the hospital. The incident will change the way she looks at things. Laura becomes obsessed with the young man that was almost killed.

Movie

Long Live the Lady! (1987)
Lunga vita alla signora! WikiData IMDb TMDB Douban
other title: 女士万岁 / Lunga vita alla signora! …
The Lady (or Signora) of the title is a mysterious matron who lives in a crumbling mansion. Six catering trainees are brought to the castle upon its conversion into a resort hotel. They are ordered to prepare a special meal for the old lady, whom none of them have ever seen for more than an instant. As the caterers grow in wisdom and sophistication, we learn that the lady may very well be an urbane ghost rather than a flesh-and-blood entity.

Movie

Greenery Will Bloom Again (2014)
Torneranno i prati Douban
other title: 高原激战 / Torneranno i prati …
The winter of 1917, the North-East front, the final clashes of the Great War. An Italian stronghold situated at 1800 metres above sea level, on the Asiago plateau, described in the novels of Mario Rigoni Stern. It’s snowing everywhere; the Austrian trenches are so close that you can hear the enemy soldiers breathing. A hundred years since the outbreak of World War I, maestro Ermanno Olmi describes with Torneranno i prati his vision of a conflict that cost the lives of 16 million human beings, just as it was brought back to him by the memory of his father, called to arms at 19 years of age, to find himself within the bloodbath of Carso and Piave. A drama that scarred his youth and the rest of his life, just like millions of others.

Movie

Dialogue between a Salesman of Almanacs and a Passenger (1954)
Dialogo di un venditore di almanacchi e di un passeggiere Douban
other title: 历书售贩与过路客的对话 / Dialogo di un venditore di almanacchi e di un passeggiere
A philosophical dialog between a poor peddler and a passer by. Trascrizione cinematografica del dialogo leopardiano, con un’introduzione che ci conduce dalla periferia nebbiosa al centro di Milano, dove si vive un triste Natale: vetrine illuminate, passanti frettolosi, suonatori ambulanti Per uno dei suoi primissimi cortometraggi, Olmi mette in scena, rispettandone il testo alla lettera, un’“Operetta morale” di Giacomo Leopardi. “La Edison ci aveva comprato una nuova macchina, l’Eclair 300, bellissima, la stessa del Tempo si è fermato, e ho cercato un testo che fosse ‘all’altezza’. In Leopardi inoltre mi interessava l’intreccio di varie nozioni di tempo: quello del calendario, il tempo del pensiero, delle aspirazioni del futuro”. Il dialogo, ambientato in Galleria a Milano la vigilia di Natale, è preceduto da un “prologo” dove Olmi segue il “passeggiere” dalle brume milanesi fin dentro la Galleria del Duomo illuminata a giorno dall’ottimismo delle festività, per cui il serrato ragionare del “venditore di almanacchi” viene incorniciato da Olmi in una sorta di “dimostrazione” che ha la forza al tempo stesso naturalistica e simbolica dell’immagine cinematografica