死者正在红乌鸦孤立的米格马克保护区外复活，除了它的土著居民，他们奇怪的免疫僵尸瘟疫。

当Áila遇到一个年轻的土著妇女，赤脚在繁忙的街道上的雨中哭泣时，她很快发现，这个年轻的女人Rosie刚刚躲过了男友的暴力袭击。Áila决定将Rosie带回她的家，并在当晚的整个过程中，两个人度过了这次创伤事件的余波。

入围第71届柏林电影节全景单元。
In a dystopian future, children are considered property of the military regime which trains them to fight in a state boarding school. A Cree woman tries to get her daughter back. A parable about the situation of the First Nations, seen from a female perspective.

Set within the fluidity of time, touch, realism and reverie. Some may call this magic realism. Based within Indigenous knowledge and way of life, this story allows two people to heal, through touch, calm, love and patience in a fantastical space that leaves the audience dreamlike and yet it is dangerous and violent, there is love.