1949 film by René Chanas

1937 film by Raymond Rouleau

Marceline, the young wife of the florist Jean, can't help flirting with other men, but her brother Clo-Clo takes the poor husband's side against his sister.

A poor youth of noble birth needs to marry. Will the cynical, calculating upstart who wants to set him on the right course be able to help?

Set in Brussels, where Suzanne Beulemans, the daughter of a rich brewer is promised to marry Séraphin Meulemeester, the son of a rival brewer. The young man and his father both seem particularly motivated by the dowry of the young fiancée. But Séraphin has a rival in Albert Delpierre, a young Frenchman who is learning brewery from Ferdinand Beulemans and who is discreetly enamoured with the young woman. Albert learns Séraphin's secret that he is having an affair with a worker and that they have had a child. He promises Séraphin that he will never reveal any of it to Suzanne, but she is told by Isabelle, her maid.

1932 film by Pierre Colombier

Nicole tries to seduce a young man who lead a bohemian life in an untidy flat with his three pals.

Josyane Plaisir, a rather idle singer, who is waiting for the man of her heart,handsome and rich if possible, accepts the offer of a dog handler. The clever man has worked out a scheme to snare rich men. The trick is simple: "Pantoufle", the little dog he lets for 5,000 francs a week, will run off, climb into a luxurious car with only one man inside and "retrieve" him to Josyane, since her address is stuck to the dog's collar. René, the first man who rings her door-bell, is single (or nearly so!), good-looking but ... broke.

Géo Paquet, aka The Gorilla, breaks from jail. Now an escaped convict, the elite agent must infiltrate a dangerous gang working for a foreign embassy as their leader, a spy enjoying diplomatic immunity, can't be arrested by regular police.

A man accused of murder discovers a trail of corruption leading to the powerful family of his former love. Going underground, he seeks allies in a town where trust is scarce.

When one of their number tries to tear away the veil from the face of a woman of Morocco, five French tourists find themselves cursed by an Arabic sorcerer to die in a specified order before the next new moon appears - and one by one, in different ways, they begin to die as predicted...

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

A beautiful 18-year-old orphan escapes from a reformatory and hooks up with a gang of jewel smugglers, and decides on a life of crime. However, she falls for and marries a policeman, putting a crimp in her criminal career.

A young journalist, abandoned by her wealthy lover, sets out with a musician inventor to stage a musical.

A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police's description: his name is Amedee Lange, and he murdered somebody in Paris. Lange was an employee in a printing works. His boss was a real bastard, swindling every one, seducing female workers... One day he fled to avoid facing his creditors, and the workers set up a cooperative to go on working. What then made Lange a killer?