Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.

Carla Pratesi, a prostitute, is killed. Her death is followed by a number of attempted murders. Carla's sister undertakes her own investigation. Police enquiries uncover a drugs trade connected to a call-girls organization but the murderer remains at large. Finally, a witness identifies the killer as a well-known actor. However, he has a strong alibi (he was shooting a film). The following night, a girl who manages to escape from the maniac's clutches swears he is a different famous actor but he turns out to have a strong alibi too! Eventually the police set a trap in the park and, with the help of Carla, kill the madman. It emerges he had been disfigured by the atomic blast at Hiroshima and went crazy because his disformed features revolted women and but them off having sex with him. He created masks reproducing the features of handsome actors just to approach prostitutes!

While fighting in Britain, Roman forces commanded by Caligula capture the noble warrior, Glaucus. Seeing in him gladiator material, Caligula takes Glaucus back to Rome along with other hostages including Glaucus's girlfriend, Ena. A man seeking to restore the Roman Republic then assassinates Caligula after which Claudius is proclaimed emperor. Messalina -- Claudius's beautiful but evil wife -- then maneuvers to replace Claudius with her lover, Silio. She forces Glaucus to help her in this quest by threatening to harm the enslaved Ena. Written by dinky-4 of Minneapolis

1960 film by Daniele D'Anza

Set in 1815, a young Englishman touring Europe encounters more than he bargained for. His pursuit of the beautiful Countess St. Alyre brings him into contact with the Marquis D'Armanville and other odd characters. A series of bizarre murders occur, bringing our hero to the borderland of nightmare.

1963 film by Raffaello Matarazzo

A scepter is stolen, and it's hunted for by various groups of international robbers and spies, for various reasons - in a parody of 007 movies.

Italy during the Napoleonic wars: A French General and his Adjutant are separated from their unit get beyond the enemy lines. There they meet Carlotta the resolute daughter of an Italian Count, who cannot withstand the charm of the French.

This film traces the prison life of a group of women who-rather than being prepared to reenter society-are brought to the limits of depravity. Martine, wrongly imprisoned will bear the scars of a prison system wrongly based on punishment rather than rehabilitation.

A love story between the pets hairdresser and accountant - both with significant life history.

In this spoof of spy films, CIA agent, Kelly, is in Rio De Janeiro spying on a wealthy industrialist, David Ardonian, who secretly plans to turn the world sterile and repopulate it with his harem. UK spy, Susan Fleming, helps Kelly.

An archeologist's wife has recurring nightmares about ritual killings in an Etruscan tomb while her husband is away excavating a lost temple. After a phone call where she is forced to listen to him being murdered, she travels to the excavation site to solve the mystery of his death.

1942年盟军登陆北非前夕，美军特种部队意大利裔特种兵小分队乔装意军空降突尼斯，夺取由意军驻守的沙漠水源的冒险故事。没有实战经验、忍辱负重的大尉，心理创伤严重、以下犯上的中士，性感诱人、生存能力惊人的意大利妓女，因不堪忍受战友死亡而杀死上司、却与最后一个敌人言和的士兵……

1963 film directed by Pierre Gaspard-Huit

When Enrico comes back home for his father's funeral he discovers that his brother Cesare and his sister Verde may be involved in the death of his father, then he starts to suspect that he could be the next victim of his siblings. Soon paranoia and incest begins to unfold.

"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

故事讲述的是年轻的已婚女子Roberta深夜开车回家，不幸意外撞见一宗残忍的谋杀案，一位金发女子临死前恰巧倒在她的车前。当Roberta为了躲避残忍的凶手而逃走并寻求帮助报警之后，回到案发现场时，却发现凶手和死者的尸体都不见了。警方甚至连血迹都无从获得，不禁怀疑起Roberta的精神是否正常，更恐怖的是那名凶手仿佛也盯上了Roberta，准备伺机杀人灭口....

该片讲述了一个牧羊少年因目睹一起杀人案，竟被人推下悬崖。一个平民在孤独的抗议，被当街射杀，尸体在流血，无人问津。正直的警察局长蓬纳维亚早就对法律的公正丧失信心，雇凶不成，就自己充当杀手，干掉了这一切罪恶的幕后黑手——一个名义上的地产承包商罗蒙诺。而自己在自首后，被买通的犯人在狱中杀害。

Themroc, a bachelor house painter living at home with his mother, leads a sad and colorless life. One day, after a run-in with his boss, he rebels. He wrecks his apartment, rejects every facet of bourgeois life, and begins acting like an urban, modern-day Neanderthal.