Rosa, a contemporary music composer, agrees to give her first television interview at her colleague Tere’s apartment to keep it secret from her husband. What begins as a simple professional conversation turns into an absurd and comic portrait of rivalries and affections among three women—Rosa, Tere, and Tere’s daughter Luisa—interrupted by power outages, a constantly barking dog, and the visit of a famous composer. As the interview unravels, family and artistic tensions surface, revealing, with humor, both the fragility of prestige and the strength of complicity.

At the close of a special day, family ties are shown to be fragile before the shared feeling concerning an important abscence when the sensation of absence. Uncle Manuel, a very peculiar man is determined to help his sibling's adolescent children and his brother-in-law, an unemployed union leader. Mom's house has now become a place where the family could vanish due to a world of broken dreams.

Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.

Luisa, a 25-year-old woman addicted to chiva (heroin), travels to a beach in the coastal State of Veracruz with the idea of quitting the drug once she gets there. Luisa eventually grows ties with the locals and in particular with Salomon, a 65-years-old peasant in whom she thinks to have found the aid she needs to fulfill her goal.

A young woman has to deal with her mother's degradation due to Alzheimer's disease.

The Film is an exploration of the impact of "Narco" culture on Mexican society