The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

A spaceship is sent to Mars after an alien distress signal is picked up. They find one survivor, but when a crew member is found drained of blood it's evident they have rescued a bloodsucking monster. Uses footage from Encounter in Space (1963).

【简介】领完美国MTV两作音乐奖座后，街头顽童在英国曼彻斯特所举行的演唱会。 这场名为“街头顽童：恶灵古堡，现场活跳跳！(Gorillaz：Demon Days Live!)”的演唱会，最具特色的是街头霸王幕后音乐的创作主脑、退居幕后多年的布勒合唱团主唱戴蒙亲自登台演唱。同时，在街头霸王新专辑里跨刀是的歌手，包括尚(Shaun Ryder)与鲁斯(Roots Manuva)等人，也参与也同台表演。 曲目： 01. Intro 02. Last Living Souls 03. Kids With Guns (Feat. Neneh Cherry) 04. O Green World 05. Dirty Harry (Feat. Bootie Brown) 06. Feel Good Inc. (Feat. De La Soul) 07. El Maana 08. Every Planet We Reach Is Dead (Feat. Ike Turner) 09. November Has Come (Feat. MF Doom) 10. All Alone (Feat. Roots Manuva & Martina Topley Bird) 11. White Light 12. DARE (Feat. Shaun Ryder) 13. Fire Coming Out Of The Monkey's Head (Read By Dennis Hopper) 14. Don't Get Lost In Heaven 15. Demon Days 16. Hong Kong 17. Latin Simone (Feat. Ibrahim Ferrer)

Clean-cut Jeffrey Beaumont realizes his hometown is not so normal when he discovers a human ear in a field, the investigation soon catapulting him toward a disturbed nightclub singer and a drug-addicted sadist.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

A group of high-school friends must come to terms with the fact that one of them, Samson, killed another, Jamie. Faced with the brutality of death, each must decide whether to turn their friend in to the police, or to help him escape the consequences of his dreadful deed.

The documentary film about the virtual band Gorillaz, created by Damon Albarn and Jamie Hewlett, will premiere at the Berlin Film Festival on Wednesday (February 13). 'Bananaz' was made by filmmaker Ceri Levy, who documented the process of the band's creation and career from 2000 to 2006. The film includes footage of the first Gorillaz[/a] drawings, as well as behind-the-scenes footage of the band’s various live performance events.

Rusty James, an absent-minded street thug, struggles to live up to his legendary older brother's reputation and longs for the days when gang warfare was going on.

1992年的电视专题系列片，关于钓鱼迷John Lurie同朋友们在世界各地享受钓鱼乐趣的记录片，其中一集是和钓鱼菜鸟老汤在牙买加。 一开始是老汤和约翰在丛林小河中泛舟，心旷神怡于这里的美景，准备大干一场，晚上到约翰一朋友那里谈好了租渔船的事。 第二天凌晨5点他们就动身出发，颠了一整天，却连根雨毛也没钓到，老汤极度不爽，并质疑约翰的专业水准。晚上闲的没事就同当地村民赌博，结果又输的很惨。 第三天老汤终于钓到了第一条鱼也是唯一的一条，高兴的将活鱼塞进裤裆里以示庆祝……

1993 film by Tony Scott

When petty criminal Luke Jackson is sentenced to two years in a Florida prison farm, he doesn't play by the rules of either the sadistic warden or the yard's resident heavy, Dragline, who ends up admiring the new guy's unbreakable will. Luke's bravado, even in the face of repeated stints in the prison's dreaded solitary confinement cell, "the box," make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers.

Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.

Nine strangers wake up in a house with no recollection how they got there and no way out. The voice on the PA introduces them to a grisly game they must play. The prize is $5 million and their life.

After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.

Jack Traven, an LAPD cop on SWAT detail, and veteran SWAT officer Harry Temple thwart an extortionist-bomber's scheme for a $3 million ransom. As they corner the bomber, he flees and detonates a bomb vest, seemingly killing himself. Weeks later, Jack witnesses a mass transit city bus explode and nearby a pay phone rings. On the phone is that same bomber looking for vengeance and the money he's owed. He gives a personal challenge to Jack: a bomb is rigged on another city bus - if it slows down below 50 mph, it will explode - bad enough any day, but a nightmare in LA traffic. And that's just the beginning...

Surrounded by fans and sceptics, grizzled director J.J. "Jake" Hannaford returns from years abroad in Europe to a changed Hollywood, where he attempts to make his innovative comeback film. This film was started in 1970 but never completed during Welles's lifetime.

As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.

At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.