Having forsaken the detective business for the safer confines of personal insurance, Gay Laurence is compelled to return to his sleuthing ways. Along with sidekick Jonathan "Goldie" Locke, he agrees to look into a series of home party robberies that have victimized socialite Maxine Wood. The duo gets more than they bargained for when a murder is committed at Wood's home, but Lawrence still finds time to romance the damsel.

Emery Slade was one of the brightest stars in Hollywood in 1932, but by 1949 his career has hit the skids. Fortunately, he is able to convince studio head Melville Crossman to cast him in the adaptation of a hit Broadway show. Crossman has one condition: Slade must travel to New York and convince the female star of the stage production to join the film. Slade goes, but, when he eyes the winsome Julie Clarke, he hatches a different scheme.

It's the Hatfields vs. the McCoys in this 1949 film, with Farley Granger and Joan Evans as the hillbilly Romeo and Juliet whose forbidden romance rekindles a long-standing feud between their respective families.

Captain Hunt of the cavalry is trying to promote good relations with the Indian chief Acoma. But Hunt's superiors in the military insist on pursuing policies that will provoke a conflict, and Chief Acoma is not willing to let himself be insulted.

In the second film of the series (and not a second part of anything), Gay Lawrence, aka The Falcon, is about to depart the city to marry his fiancée, Helen Reed, when a mystery girl, Rita Mara, asks for his aid in disposing of a secret formula for making synthetic diamonds. He deliberately allows himself to be kidnapped by the gang for which Rita works. His aide, "Goldy" Locke, trails the kidnappers and brings the police. But the head of the gang escapes, and the Falcon continues the pursuit.

Art curator George Steele experiences a train wreck...which never happened. Is he cracking up, or the victim of a plot?

When a recently deceased playboy gets to heaven and is granted one wish--granted to all newcomers--he requests that he be able to see the reactions of three husbands, with whom he regularly played poker, to a letter he left each of them claiming to have had an affair with each's wife.

One night in New York, beefy escaped convict Moose Malloy goes hunting for his ex-girlfriend Velma, leaving a trail of mayhem behind him. Velma seems to be well-hidden, and adventurer The Falcon, intrigued, investigates on his own, approaching the heart of the mystery via a varied sequence of shady characters and attractive women.

All My Sons tells the story of Joe Keller, a successful, middle-aged, self-made man who has done a terrible and tragic thing: during World War II, rushing to meet an order from the Army, he knowingly sold them defective airplane parts which later caused the planes to crash and killed 21 men. He framed his business partner for this crime and engineered his own exoneration; now, his son is about to marry the partner's daughter, the affair is revisited, and his lie of a life is unraveled. Joe has spent his entire life in the single-minded pursuit of wealth for the sake of his family, an American Dream gone nightmarishly awry; this is a story about responsibility: Joe and his generation must understand that the boys he killed--all the boys in the War--were his sons, too.

In turn-of-the-century New York, the marriage of John and Abby Edwards unfolds over the years.

Teenager Susan Turner, with a severe crush on playboy artist Richard Nugent, sneaks into his apartment to model for him and is found there by her sister Judge Margaret Turner. Threatened with jail, Nugent agrees to date Susan until the crush abates.

Roland Dane finally retires to the house he was brought up in. Lost in thoughts of his lost love Lark, he does not want to be disturbed in his last days. However, the appearance of his niece and her subsequent romance with Lark's nephew causes him to reevaluate his life and offer some advice so the young couple doesn't make the same mistake he did, all those years ago.