After the Civil War, a former Union colonel searches for the two traitors whose perfidy led to the loss of a close friend.

Architect Gordon Wales finds fellow apartmenthouse resident Joan Marsh locked out and flirts with her. When she is murdered evidence points to him.

American ne'er-do-well Joe January is hired to take Paul Bonnard on an expedition into the desert in search of treasure.

Struggling to retain custody of his daughter following his divorce, football coach Steve Williams finds himself embroiled in a recruiting scandal at the tiny Catholic college he is trying to bring back to football respectability.

In 1977, former real estate developer Tony Kiritsis puts a dead man's switch on himself and the mortgage banker who did him wrong, demanding $5 million and a personal apology.

J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to rob a bank. They end up getting more than they bargained for.

"Nicolás Zukerfeld’s third feature is a wry, surprising work of filmmaking-as-criticism that begins as a kind of supercut of moments from the work of pantheon Hollywood auteur Raoul Walsh. This rhythmically entrancing parade of images traces a mysterious and amusing arc across the director’s vast oeuvre—but at the halfway mark, the film reinvents itself as an idiosyncratic, essayistic investigation into memory, cinema, and their shared mutability." - NYFF

Captain Ralls fights Dutch shipping magnate Mayrant Sidneye for the woman he loves, Angelique Desaix, and for a fortune in gold aboard the Red Witch.

After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.

An aging Texas cattle man who has outlived his time swings into action when outlaws kidnap his grandson.

Directed by Mark Cousins, My Name is Alfred Hitchcock re-examines the vast filmography and legacy of one of the 20th century’s greatest filmmakers, Alfred Hitchcock, through a new lens: through the auteur’s own voice.

Ranch hand Rocklin arrives in town to start his new job but his employer has been murdered and the locals don't seem too friendly.

The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.

Kit Madden is traveling to Hollywood, where her best-selling novel is to be filmed. Aboard the train, she encounters Marines Rusty and Dink, who don't know she is the author of the famous book, and who don't think much of the ideas it proposes. She and Rusty are greatly attracted, but she doesn't know how to deal with his disdain for the book's author.

Though he fought for the North in the Civil War, John is asked by the Governor of Texas to get rid of some troublesome carpetbaggers. He enlists the help of Holden before learning that Holden too is plundering the local folk.

Army despatch rider Hondo Lane discovers a woman and her son living in the midst of warring Apaches, and he becomes their protector.

A gunhand named Lane is hired by a widow, Mrs. Lowe, to find gold stolen by her deceased husband so that she may return it and clear the family name.

本片根据德州消防英雄保罗尼尔艾德的真人真事改编而成，约翰·韦恩饰演影射这位英勇传奇人物的男主角钱斯布克曼；布克曼带领一队消防队员，乘坐公司的私人飞机到世界各地与油田大火对抗，当布克曼在一次行动中受伤后，友人找到他久未连络的女儿蒂许（凯瑟琳·罗斯）；在赶到医院后不久，蒂许便受到父亲工作的感召，因而决定加入这班英勇的救火英雄行列。

I remember seeing this film as a lad on a family outing in Manhattan, topped off by my insistence that we have dinner at Jack Dempsey's Restaurant in Manhattan. Too bad the old champ wasn't there that day or it would have been a perfect Sunday. Seeing it now on a formatted VHS the awesomeness of the spectacle during the scenes of the circus fires and the capsized ship in the harbor is really lost. It's quite an eyeful and should only be scene in theaters. And the film would be revived, but we have a subdued John Wayne here and it's not for the better. This was originally to be a Frank Capra film and Capra bowed out after creative differences with the Duke and some of the Duke's personal entourage. Read the Capra autobiography to find out exactly what they were, but they weren't fully fixed in the final product by director Henry Hathaway who later piloted the Duke to his Oscar in True Grit. John Wayne was a guy who was usually very careful to give the public the Duke they expected. Even when he stretched his abilities it was done with a firm directorial hand. We're asked to accept the Duke as a man who had an adulterous affair here. He also does not throw one punch in this entire film or fire a weapon in other than it being part of his Wild West Show. The people went to see John Wayne, but they didn't get their money's worth. Pity because it would have been great to see John Wayne with Rita Hayworth in a great film. That couldn't have happened when they were younger because of Rita's contract with Columbia pictures and Wayne's personal boycotting of that studio because of his dislike for Harry Cohn. That story I won't go into. Rita Hayworth who doesn't enter into the film until almost halfway through is fine as Wayne's lost love. She and Claudia Cardinale looked just fine in tights as trapeze artists. Lloyd Nolan as Wayne's sidekick is always good. Richard Conte is Hayworth's brother-in-law and Cardinale's uncle. This fine actor is wasted here in a part that either was badly written or left on the cutting room floor. John Smith was a Wayne protégé of sorts, Wayne gave him an early break in The High and the Mighty which he produced. Smith went on to star in the Laramie TV series and on completion of that he was cast opposite Cardinale, probably at Wayne's insistence. I remember always wondering what happened to him because he left show business shortly afterwards. Then back in the Nineties I read he had died of cirrhosis of the liver. I guess you can fill in the blanks. At the time Circus World came out, there was on television a prime time series called International Showtime. It was on Fridays at 8 pm. and it was set in a different city in Europe every week. Hosted by Don Ameche it featured the very best circus acts in the world. So did Circus World, but it certainly was no incentive for people to come out to see this when they could see the same thing at home. Also Paramount re-released Cecil B. DeMille's The Greatest Show on Earth to a brisk box office business at the same time Circus World came out. So for all these reasons Circus World flopped and bankrupted producer Samuel Bronstein. Nevertheless if you're a circus fan you will enjoy seeing this. But it's not the Duke his fans have come to expect.