A street poll about contemporary youth. The answers are engineered to show the manipulation of propaganda and television.

On July 4th, 1946, the crowd in Kielce, Poland, slaughtered forty-two Jews and wounded many others. Forty years later, in 1987, Marcel Łoziński visited those places and met some witnesses of the carnage.

Weaves together the personal recollections of four Polish survivors of the Holocaust with original footage from the present day. The film focuses specifically on the relations between Jews and Poles in Nazi occupied Poland.

At the famous Grand Hotel in Sopot, each worker - whether a porter, a maid, a cook or a stoker - feels an important part of their workplace. Perhaps even the most important.

Brief portrait of a conformist.

Piotr Tymochowicz, media advisor to some of Poland's top politicians, claims that anybody can be molded into a charismatic leader. To prove it he's looking for a greenhorn that can be turned into a candidate. A call is put out for would-be participants, and hundreds apply. A small group is selected and under go training. Polish master Marcel Lozinksi followed Tymochowicz and this project for three years, and this beautifully shot and edited work paints a compelling portrait of cynical (and quite familiar) demagogy and populism in action.

This movie shows the simplest difference between Europe and former Soviet Union. It is the eponymous 89 mm - Russian train tracks are 89 mm wider than tracks in European countries. And because of this fact, it is not easy to go through the Soviet border by train in Brest as the passengers in the film do.

A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

4集，每集52分钟。对比了宣教片《波兰电影编年史》和团结工会领导人及知识分子的不同意见。

Produced by Andrzej Wajda, this 55-minute film probes the massacre of almost fifteen thousand Polish officers during World War II. For a long time, this atrocity was attributed to the Nazis, but it was really the work of Red Army. (A title states that the film was made before the truth was publicly acknowleged.) There are three parts: in (1) "Voyage", children of the victims travel to the place, mainly the camp of Kozielsk, which a survivor of Katyn describes: forty-five hundred were interned there, then led to the forest, shot, and put in a mass grave. In (2) "Politique", after seeing archival footage of corpses, we learn that Churchill allegedly asked the head of the Polish government in exile to say the perpetrators were German, not Soviet. Almost as bad is the fact that the U.S. Secret Service destroyed (on Roosevelt's orders) papers that the Poles had sent him about the real murderers - even before he read them. In (3) "Witnesses", we meet Wanda, the daughter of a murdered Polish officer. She tries to get people who live near the forest to talk, but they are still frightened. However, another woman cajoles (in Russian) her old father to tell the truth. He admits that he was forced to sign the opposite of what happened at Katyn. The film reveals that the Stalinists were just as capable as the Nazis of cold-blooded carnage - even of their own allies. Annette Insdorf - "Indelible shadows: film and the Holocaust"