An extravagant comedy with Heinz Rühmann.

The already successful tenor Mattei is discovered after he already retired into private life. Der Wiener Staatsoper place a significant part in this musical comedy drama.

1935 film

A scientist experimenting with suspended animation decides to use himself as a test subject. Before he is frozen, his wife is killed, and he is suspected of her murder. a murder suspect.

A troupe of French actors on tour in Normandy become involved in the events of WWII.

An elaborate bank robbery takes place and the gangsters succeed although the FBI had been warned. Jerry Cotton, who is considered accountable for this major failure, loses his badge over this. Being the man he is, Cotton doesn't let the evil-doers forget that he has unfinished business with them.

The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. The student traces the washerwoman, and he tricks her into confessing what she has done with the baby. Meanwhile, the baby has been adopted by the cab driver and his wife, and has grown into Lili Damita.

During the eighteenth century the Empress of Russia sends her lover to kidnap her rival for the throne.

A musical cabaret singer meets a British agent and goes with him to Nazi occupied France to save an atomic scientist.

1965 film by Jürgen Roland

France 1944: American pilot Philip Sturgess is shot down but found by a resistance group. In the neighborhood Sturgess meets another American and shortly thereafter the British Major Barton, called “Reiher”. He claims to have fled a German prison camp. Shortly before leaving for Spain to escape the Nazis, Sturgess discovers that Barton has written a letter to Germany. This confirms the suspicion that he could be a German spy…

Based on an actual murder case in Frankfurt after the war, the film tells the story of the murder of Rosemarie, a prostitute, and how she ended up strangled in her apartment.

The evil Dr. Mabuse develops a death ray with which he threatens the world.

While working in England, an American surgeon Dr. John Marlowe is invited to Vosnia (a fictitious East-European country) to receive an award and demonstrate his life-saving surgery. Unwittingly caught in the middle of a dangerous and corrupt series of political events, Marlowe then becomes the object of a shoot-to-kill, vicious pursuit. Fleeing, he seeks help from an English-speaking actress, Lisa Robinson, and the two attempt to escape across the treacherous mountains of Vosnia.

An American reporter smells a story when he is stranded in an Iron Curtain country where the local dictator is using gamma rays to transform children into mutated henchmen.

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor

A newspaper reporter finds himself drawn into the aftermath of a racetrack robbery.