In this film, we show the interior of a doctor's office. A patient enters, and judging from the expression on his face, he is in great pain. The doctor tells him that he is troubled with acute indigestion, and immediately places him upon the operating table. He begins his treatment by cutting off the patient's arms and legs with a huge saw. After removing these members, he takes a large knife and makes an incision in the unfortunate's stomach large enough to put his arm in. He then removes such things as bottles, knives and forks, lamps and other articles of furniture from the patient's body ...

"The picture shows the Devil working at a fire. Two cavaliers appear, and the Devil takes the form of a seer, old, bent and wrinkled. Then he disappears in a cloud of smoke, to reappear shortly as a ghost, whose head comes off and floats around the room. Suddenly the table gets up of itself, and flies up the chimney. All sorts of wonderful things happen. A cannon takes the place occupied by the table, and belches forth flame and smoke. A large cage appears mysteriously in the center of the room, through the bars of which the Devil passes as if it were an open door. By his magic, he makes the cavalier pass through the bars in the same wonderful fashion. Everything is so weird and fantastic, that such a small trifle as a man turning into a donkey excites but passing notice." -Edison catalog

A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, after being twirled about a wand, is changed to a napkin, and afterward to a tablecloth. Out of the table cloth comes a servant.

A man surprises a woman. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time

A woman slips into her bed with the help of her servant. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time

Showing Pygmalion at work in his studio on the statue of Galatea, who, on being completed, comes to life. He attempts to clasp her to his arms, when the bust leaves the body and crossing the room mocks at him standing with the lower portion of her body in his hands. Further startling illusions are seen in this most beautiful picture.

A man pulls a rabbit out of a hat. Available in a fragment in flipbook version only.

Court-Métrage

A kickboxing movie. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time.

A fencing match. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time.

An artist attempts to touch his model who is playing Venus. Later remade in 1900. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time.

The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second film, and as his first to move beyond the actuality film genre pioneered by the Lumière brothers and experiment with using the camera to capture a theatrical magic act. (Later in 1896, with his discovery of the substitution splice technique, Méliès was able to begin augmenting his theatrical illusions with new special effects unique to film.) Conjuring can thus be seen as Méliès's first foray into the world of fiction film. The film was released by Méliès's Star Film Company and numbered 2 in its catalogues.

A woman dances - preserved in flipbook form.

A soldier is talking to a woman while sitting on a bench, a man sits on it, and the soldier stands up, causing the bench to tip over and the man falls. Available in flipbook format only (tentatively identified) and otherwise a lost film.

A man does tricks by forming hats and then putting them on. Fragment available in flipbook format, otherwise lost.

A Serpentine dance performance, possibly featuring Loie Fuller (though the record is unclear). While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time

One of a few versions of the "arrival of the train" narrative. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time. Shot in Joinville-le-Pont

Georges Méliès adaptation of Robinson Crusoe, the first film adaptation of the story. Filmed in black & white, Méliès would then paint the film by hand to colour it. Originally a 15 minute film, twelve and a half minutes of painted film have been found and have been restored.

In a square room, two men and two women, in white body-hugging clothes, try on wrestling holds, each with a partner of the same sex.

Only 8 surviving seconds of a man getting great pleasure from smoking a cigar.