Golsa is a 16-year-old girl living with her family in a small town near Tehran. She spends most of her time hanging out with a group of friends. One day the group decide on a course of action the consequences of which will have unexpected results and turn their little bit of fun into something far more complicated.

Nahal is around thirty and in her fourth month of pregnancy. During a routine check-up she learns that her baby has died and she now faces a curettage abortion in two days’ time. When she tries to address the subject, neither her mother nor her husband give her a chance to speak. Nahal knows that her family will force her to go back to taking the antidepressant medication she began prior to her pregnancy. At first the young woman appears to resume her daily life as before, but her silence soon turns into rebellion. Hamid Rajabi portrays a woman who revolts against the veneer of her middle-class existence, a woman who wants more from life than a coffee machine, a fridge with an ice dispenser and a second car. Nahal breaks free from the constraints of her standardised existence; her protest is unexpectedly anarchic as she deliberately provokes the people around her and draws them out of their shells. Paridan az Ertefa Kam describes a struggle which ultimately cannot be won, but nonetheless has to be fought. The film also explores an Iranian middle-class which, with its love of status symbols, seems to have locked itself away in a mental prison. berlinale 2015

五十多岁的帕尔韦兹一直住和他的父亲住在同一所房子，从未出过工作过。某天，帕尔韦兹的父亲突然将其踢出家门，因为他的父亲决定再婚……帕尔韦兹的生活变得无所依靠，无处安身……