As if in a dream, a young girl recounts the story of Orpheus and Eurydice and the questions raised by the myth. Heartsick from suffering, Orpheus descends into the Underworld to bring his beloved Eurydice who has just died from a snake bite back. The magnificent music played by Orpheus convinces Hades, the god of the Underworld, to free Eurydice, but on one condition : on his way back to Earth, Orpheus must not look back at Eurydice. On finally arriving at the gates of the Underworld, already catching glimpses of trees and bushes, Orpheus looks back. Eurydice disappears forever into darkness.

Sisters Clothilde, Ophile, and Bettine live in seclusion by the sea. However, their relationship begins to crumble when a man named Paris falls in love with one of them, unleashing a spiral of jealousy, sabotage, and madness.

Based on Italo Calvino's novel. Follows young Baron Cosimo who, bullied by his older sister and tired of his role, climbs a tree and never sets foot on the ground again.

The Istituto Luce turned ninety in 2014, its decades-long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. The result is an album full of different narratives.

In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.

A ballet dancer is late for an audition for a show inspired by Plato's Allegory of the Cave. She arrives with her seven-year-old son, Jay, and begs the director to give her a chance.

During WWII, in the days leading up to Christmas, a woman arrives at an Italian Catholic boarding school for orphaned girls with a large cake and a plea for them to pray for her boyfriend, who is having an affair.

Just out of jail, crumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up.

如果你走进马戏团，给你留下深刻印象的是各种颜色，让你开怀大笑的表演，许多金发的孩子和马匹爬上道路，来到村庄。这里有许多人来，他们说你好，微笑，写下浪漫的报刊文章，然后离开。但是你必须仍然呆在马戏团，你必须来到后台，你必须等待直到表演结束，帮助马戏团的人拆除看台。到了晚上，如果还有时间听故事、讲故事，你会意识到他们就是那些把星星粘到天空中的人们。 如果你还在那里，你会理解佳人所作的努力，你会意识到这一表演，小的灯具，戏服都仅仅只是一生中极其细微的选择。你会意识到，在他们的面容中有一种力量，因为他们经历过人生的低谷，体验过不同的人生风景，却从未停留。对于这些不断在路上奔波的人们来说，向他们询问没有意义。

The ninth short film of the Miu Miu’s Women’s Tales series reflects Alice Rohrwacher’s attention to the surreal world of ordinariness and exceptions.

Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.

爱丽丝·洛尔瓦彻([幸福的拉扎罗])、皮耶特罗·马切罗([马丁·伊登])、弗兰西斯科·穆尼兹([黑色灵魂])将联合执导纪录片[未来](Futura，暂译)。该纪录片被称为三位导演的“集体调查”，他们在意大利各地旅行，与遇到的青少年对话，询问他们对未来的期望与前景。该纪录片将通过青少年的眼睛来观察意大利。

After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.

2018 film by Alice Rohrwacher