Syd Barrett — 艺术家 (18)
The Madcap Laughs [音乐] 豆瓣
8.8 (35 个评分) Syd Barrett 类型: 摇滚
发布日期 1970年1月3日 出版发行: Capitol
In the second half of 1967 and through to early 1968, when still part of Pink Floyd, Barrett's behaviour became increasingly erratic and unpredictable. Many report having seen him on stage with the group during this period, strumming on one chord through an entire concert or not playing at all. In August 1967, Pink Floyd were forced to cancel their appearance at the prestigious National Jazz and Blues Festival, informing the music press that Barrett was suffering from nervous exhaustion. Band manager Peter Jenner and bassist Roger Waters arranged for Barrett to see a psychiatrist (an appointment he failed to attend), while a stay on the Spanish island of Formentera with Sam Hutt, a doctor well established in the underground music scene, led to no visible improvement in Barrett's behaviour. A few dates in September were followed by the band's first tour of the United States.[6] At this point, Barrett's condition grew steadily worse. At a show at The Fillmore in San Francisco, during a performance of "Interstellar Overdrive", Barrett slowly detuned his guitar; the audience seemed to enjoy such antics, unaware of the rest of the band's consternation. Sometime in October, Jenner transferred tapes of "In the Beechwoods", two takes of "Vegetable Man", and a 5-minute backing track called "No Title", which Jenner hoped Barrett would finish eventually.
Around Christmas 1967, guitarist David Gilmour, an old friend of Barrett's from Cambridge, was asked by the other members of Pink Floyd to join as a second guitarist,[9] initially not to replace Barrett, but cover for him, because his unpredictable behaviour prevented him from performing. For several shows Gilmour sang and played guitar while Barrett wandered around on stage, every now and then deciding to join in playing guitar and singing. Waters and fellow band members keyboardist Richard Wright and drummer Nick Mason soon grew weary of Barrett's on-stage antics and, on 26 January 1968, when Waters was driving his bandmates from London to a show at Southampton University, they all agreed to go without Barrett: according to Gilmour's recollection, one person asked, "Shall we pick Syd up?" and another said, "Let's not bother." Since Barrett had written or co-written 10 of the 11 songs on their debut album, The Piper at the Gates of Dawn, as well as the band's three singles up to this point, the original plan was to keep him in the group as a non-touring member − in a similar arrangement to what The Beach Boys had done with Brian Wilson − but this soon proved to be unworkable. At his last rehearsal with the band, he presented a new song entitled "Have You Got It Yet?", which proved to be deliberately unplayable as the others attempted to join in, until they realised the joke of the title. On 6 April, the group officially announced that Barrett was no longer a member of Pink Floyd. Upon leaving the band, Barrett said to Melody Maker: "I suppose it was really just a matter of being a little offhand about things".
An Introduction to Syd Barrett [音乐] 豆瓣
发布日期 2010年11月9日 出版发行: 101 DISTRIBUTION
2010 collection that brings together, for the first time, the tracks of Pink Floyd and solo Syd Barrett on one compilation. David Gilmour, who originally worked with Syd Barrett on the solo albums by co-producing The Madcap Laughs and as producer of Barrett has taken the role of executive producer for the album and has remixed five tracks including 'Octopus;, ;She Took A Long Cool Look;, 'Dominoes' and 'Here I Go', on which Gilmour has added and played bass guitar. Pink Floyd's 'Matilda Mother' also receives a fresh 2010 mix. Brand new artwork has been provided by Storm Thorgerson and his estimable studio.
Opel [音乐] 豆瓣
Syd Barrett 类型: 摇滚
发布日期 1988年1月1日 出版发行: EMI
Opel is an album released in 1988, compiled from recordings made by former Pink Floyd frontman Syd Barrett between 1968 and 1970. It consists of 8 previously unreleased songs and 6 alternate versions of already released ones.
Barrett [音乐] 豆瓣
8.3 (7 个评分) Syd Barrett 类型: 摇滚
发布日期 1970年1月1日 出版发行: Capitol
Barrett was the second and final studio album of new material released by former Pink Floyd member Syd Barrett. In February 1970, shortly after releasing his first album, The Madcap Laughs, Barrett appeared on John Peel's Top Gear radio show where he presented only one song from the newly released album. Two days later, he began working on his second album in the Abbey Road Studios, this time with Pink Floyd members David Gilmour and Richard Wright as producers and musicians.
Wouldn't You Miss Me [音乐] 豆瓣
Syd Barrett 类型: 摇滚
发布日期 2001年1月1日 出版发行: Capitol
UK collection featuring 22 tracks, the finest solo works from the eccentric original Pink Floyd co-founder. Compiled from his solo albums, the rarities and outtakes collection 'Opel', the box-set 'Crazy Diamond' and two previously unreleased tracks, 'Two Of A Kind' (BBC Session Track) and 'Bob Dylan's Blues'.
Crazy Diamond [音乐] 豆瓣
发布日期 2000年11月7日 出版发行: EMI Int'l
No longer available in the U.S., this is the Pink Floyd co-founder/ former member's 1993 box set on EMI. Features both of his 1970 solo albums, 'Barrett' & 'TheMadcap Laughs', plus the 1989 rarities compilation 'Opel' with six bonus tracks added to it. 58 tracks total. Comes packaged in the original full color 6inch x 12 inch longbox & also co ntains a 24 page booklet. 1993 release.
Barrett [音乐] 豆瓣
发布日期 2010年10月5日 出版发行: 101 DISTRIBUTION
Out of print in the U.S.! Digitally remastered edition of this 1970 album from the eccentric British Rock legend and former Pink Floyd leader. Includes seven bonus tracks consisting of alternate versions of album tracks. EMI.
Madcap Laughs [音乐] 豆瓣
发布日期 2010年10月12日 出版发行: EMI Import
Out of print in the U.S.! Digitally remastered edition of this 1970 album from the eccentric British Rock legend and former Pink Floyd leader. Includes six bonus tracks consisting of alternate versions of album tracks. EMI.
The Peel Session [音乐] 豆瓣
Syd Barrett 类型: 流行
发布日期 1991年7月1日 出版发行: Dutch East
The Peel Session EP is the limited edition release of Syd's live-on-the-air BBC performance in February of 1970. He is backed by David Gilmour on bass and Humble Pie's Jerry Shirley, who provides percussion in the form of bongos. Since the tracks aren't listed here, I will go ahead and list them right now.
1. Terrapin
2. Gigolo Aunt
3. Baby Lemonade
4. Effervescing Elephant
5. Two of a Kind
Many diehard Barrett collectors seek this one because of the inclusion of a non-LP track "Two of a Kind" (which is now available on the "Wouldn't You Miss Me" best-of compilation). "Two of a Kind" has one of the best and catchiest melodies that Syd has composed. I love the chord progression, especially in the middle section ("I knew it when I saw you..." etc.) I have actually heard that the real author of "Two of a Kind" was Floyd keyboardist Rick Wright, but since Barrett is credited on the sleeve as the composer, I don't know if this is true or not.
"Two of a Kind," though definitely a hidden gem, is far from the whole story; although the other four songs are found on Barrett's two solo albums, the versions here are much looser and laid back, and they are absolutely essential listening. The version of "Terrapin" found here far exceeds the version found on "The Madcap Laughs." While I think "Terrapin" is a fine song indeed, I always felt that the version found on "Madcap" was far too long for what it was (clocking in at around five minutes), and that this version (clocking in at a spunky three minutes), is punchy, to the point, and even downright fun. A definite must-listen. "Gigolo Aunt" sounds absolutely alive, much like an informal studio jam session. The absence of the jammy ending found on "Barrett" is most welcome; after it goes through the final chorus, it simply just ends. I think this suits the song much better. If "Gigolo Aunt" had been put on "The Madcap Laughs," this is probably what it would have sounded like. Definitely a highlight of this collection. "Baby Lemonade" is minus its guitar intro, but overall it doesn't sound much different than the album version. Still a good listen, though.
All in all, I must say that this EP is an absolute joy to listen to. Despite all of the stories that I have heard about Syd's atrocious live performances during his final tour with Pink Floyd, he remains in top form throughout this entire collection (and this was recorded live in the studio at the BBC, in case you didn't already know). Seeing Syd thrive in this stripped-down, unplugged atmosphere is truly something to behold. Syd Barrett is probably one of my top five favorite musicians, and was a HUGE influence on my recent decision to take up playing the guitar. He went from crafting whimsically demented psychedlia to hauntingly beautiful acoustic material, and now he has shown a loose, laid-back unplugged side. Clearly there was more to Syd than just being some guy who was known for his LSD-inspired madness, he was in fact a great musician till the very end of his recording career.
"Peel Session" is an absolute must for any Syd Barrett CD library, for the reason that this EP is excellent from start to finish. Diehards may want it for the rare "Two of a Kind," but I think that this album is great for anyone who is just starting to discover Syd Barrett and doesn't want to spring for all his albums or get in to too much of his music at once for fear that it is too "strange." In short, this album is essential, and I HIGHLY recommend it to casual listeners.
Last Recording Session - Abbey Road Studios 1974-08-12 [音乐] 豆瓣
Syd Barrett 类型: 摇滚
发布日期 1974年8月12日 出版发行: Unofficial Release
Bootleg
Syd Barrett's Last Recording Session - Abbey Road Studios 1974-08-12 -Now you can finally hear it!
here it is, finally... 11 instrumental tracks of pure unrealized potential, going nowhere faster and faster...
( notes from original source not from aikowolf)
I wish someone with more talent for visualization than I have, and with more dexterity at arranging than I have, and with the vision that Syd has started - would finish these tracks, especially "If You Go". One of the many biographies I have read about this session (arranged for three days, but only worked on for one) said that all they could produce from Syd is "a few unfocused licks". Well, it's a bit more than that.