美丽的安娜自幼失去父母，势利的亲戚把她嫁给了年老的庭长维克多。安娜虽然有了安稳的家庭，却没有过爱情的体验。纨绔子弟梅西亚的到来，使安娜体会了心灵的激情，却因为所谓的社会道德饱受煎熬。她找到神父费尔明，希望从他那里寻求自救的方法。表面正义、慈善的费尔明内心深处充溢着肮脏的功利和和难以遏制的情欲。他对安娜垂涎三尺，却因为自己的身份不敢轻举妄动，只好希望从精神上控制安娜从而达到独占的私欲。善良的安娜不由自主地被两个男人控制着，痛苦得无以自拔。梅西亚揭穿了费尔明的真实面目，安娜终于全身心地投入到自己的真爱中。费尔明不甘失败，他利用安娜的女仆向维克多泄露了梅西亚和安娜之间的私情。终于，维克多在决斗中死在梅西亚的枪下，梅西亚远走他乡继续他的淫乱和荒唐，留下安娜承受无尽的孤独与羞辱……

七十岁的荷西仍然是无政府主义者，廿三岁的贝德罗只是个普通的银行职员；一场打劫银行的误会，把他们的命运扣在一起，同时被警方通缉及黑帮追杀。途中加入了不羁的安娜，亡命天涯的过程有电视现场直播，在人民心目中三人早成了造反有理的英雄，不断得到群众的援手。与荷里活犯罪公路电影不同的，是一切由一个追求社会公义的动机所引发，个人与制度的对抗不单是为了更多的自由。无论摄影、音乐和演出都自由奔放，那份笑傲强权的气魄，动人之外更不乏幽默的笔触。

In a small town in the Basque country, Lucas and Maria are an elderly brother and sister. They share a house with their memories and the ghosts of the people they have loved throughout their lifes. They know that sooner or later they will buy their ticket for their final journey. Marcos and Roma are young and alone. She's a nurse and paints windows that embellish the views from her room. Marcos is a street performer with no home of his own, clinging to his accordion and a pile of questions. They don't know that sooner or later they will all set out on a journey together.

At the beginning of the XX century two men from the Spanish countryside were condemned for a crime they swore they hadn't committed. After endless sessions of torturing they confessed.

At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time with their daughter and he has yet to make a commitment to his girlfriend. At his lowest point, a minor heart attack reunites him with Juan Carlos, a childhood friend, who helps Rafael to reconstruct his past.

1984 Argentine drama film directed by María Luisa Bemberg

Paz and Miguel have a seemingly happy marriage. But after moving to Logroño, where Miguel has been transferred as a judge, their life as a couple falls into monotony and suffers a serious crisis of passion. As a result, she begins a loving relationship with Alfredo, a sixteen-year-old boy. Their neighbor, Martial witness the infidelity, decides to blackmail her, forcing her to show herself so that he can watch her with his binoculars, while she strolls naked in front of the window.

Tango Feroz: la leyenda de Tanguito (Spanish: Wild tango: the legend of Tanguito) is a 1993 Argentine movie blockbuster, freely based in the life of Tanguito, one of the first artists of Argentine rock ("Tanguito" is just a stage name, nor the artist or the movie are related with Tango music). Fernan Mirás and Cecilia Dopazo, unknown by the main public by that point, had the lead roles and became famous after the movie, directed by Marcelo Piñeyro. It was the most successful movie in Argentina at the year of its release. The movie deals with Tanguito's drug addiction, his love for Mariana, his friendship with Mauricio "Moris" Birabent, his madness and death. The movie does not include any of the songs written by the real Tanguito, such as La Balsa, as Piñeyro could not acquire the rights for doing so. In turn, it uses many other old songs of Argentine Rock. Ulises Butrón sang the hit "El amor es más fuerte" (Spanish: Love is stronger), in the scenes played by Mirás as the singer.

78年柏林电影节最佳影片金熊奖和OCIC奖，实际上那届为庆祝西班牙电影经过独裁后重新回归欧洲舞台，主委会把所有参展的西班牙片都颁发了金熊奖。 Las Palabras de Max ("The Words of Max", sometimes translated as "What Max Said") is a 1978 Spanish film directed by Emilio Martínez Lázaro. It tells the story of a man who feels disconnected from people around him. Emilio Martínez-Lázaro (born 1945) is a Spanish film director famous for such films as The Other Side of the Bed and His Master's Voice. Spanish filmmaker Emilio Martínez-Lázaro's first association with cinema came when he joined the Escuela de Argüelles, a group of independent filmmakers. He made his first short film, Circunstancias del Milagro/The Circumstances of the Miracle, in 1968; re-edited in 1972 and retitled El Camino del Cielo/The Road to Heaven, it was shown at several international film festivals. He made his first feature, Pastel de Sangre/Blood Cake, in 1971. Martínez-Lázaro entered the television industry in 1974, directing episodes of numerous television series, and since then has continued to work in both venues. Martínez-Lázaro's 1978 film Las Palabras de Max/What Max Said shared a Golden Bear at that year's Berlin Film Festival with García Sánchez's La Trucha/The Trout. In addition to directing, Martínez-Lázaro has established himself as a noted screenwriter.

马丁（托马斯·海因茨 Thomas Heinze 饰）是一位非常聪明的年轻人，一次，他夸下海口，声称能够赢过魔鬼，谁知道刚好被路过的魔鬼听到。魔鬼和马丁打了一个赌，没想到马丁居然赢了，魔鬼骗马丁说奖品在地狱，于是，马丁便跟着魔鬼踏上了前往地狱的旅途。 途中，马丁遇见了一对双胞胎姐妹——白之花和黑之花。她们都是魔鬼的女儿，但是个性却大相径庭。魔鬼为了考验马丁，给他出了三道难题。然而，马丁凭借着自己的智慧和白之花给予的帮助一一将它们化解。在此过程中，马丁和白之花之间产生了真挚的感情，两人决定私奔。愤怒的魔鬼带着黑之花一路尾随追杀。

Based on a novel by one of the greater Spanish writers of the 20th century (Miguel Delibes), "La Guerra de Papá" (Dad's War) tells the story of a typical day for a 3-year-old boy in 1964. The little boy, played by Lolo García, spends his day running around playing with his 5-year-old brother and interacting with the adults in the household (mother, servants...). Through his innocent eyes we see a portrait of Spanish society in the 60's (with its many conflicts and contradictions). The film is also a very good character study of the adults and of the boy himself, who feels jealous because he is no longer the youngest child in the house, since he has a 1-year-old sister.

In 1976, Argentina fell into the hands of a de facto government. Thousands of citizens are persecuted and kidnapped. This is the case of the parents of two children, who, knowing they are wanted, decide to hide.

Las Truchas ("Trouts") is a 1978 Spanish film directed by José Luis García Sánchez. It satirizes middle class society under the rule of Franco via a story about the annual dinner of a fishing club whose members eat rotten trout while refusing to accept that there is a problem with it.[1] The film was entered into the 28th Berlin International Film Festival, where it won the Golden Bear.

1982 film by Carlos Saura

In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He's enchanted and tells his friend the village priest that he's living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.

阿根廷新电影的奠基人莱奥帕多·托雷·尼尔逊（Leopoldo Torre Nilsson）七十年代的杰作，改编自小说家罗伯特·阿尔特（Roberto Arlt）的小说《七个疯子》，讲述男主角艾尔多萨因从底层挣扎的生活，逐渐走向崩溃的过程。 阿尔特是二十世纪阿根廷最伟大的左翼现实主义作家和戏剧家，他出生于欧洲移民家庭，从小在布宜诺斯艾利斯的贫民窟中生活，熟悉下层民众的种种苦难和不幸，后来依靠自学成才，在创作上阿尔特深受俄国的陀思妥耶夫斯基和契诃夫等人的影响，作品中的人物大多为游荡于社会底层的歹徒，疯子，妓女和强盗，借这些人物来倾吐他对社会政治的不满与抗议，1929年的《七个疯子》是他最著名的一本小说，在拉美文学史上占有很经典的位置。托雷·尼尔逊的这部同名电影获得过73年柏林电影节最佳影片银熊奖和最佳导演提名。

1990 film by María Luisa Bemberg

A biologist in an insemination clinic unexpectedly falls in love with a free-spirited trapeze artist and the idea of fathering her child. A hilarious romantic comedy about love at first sight, with complications to follow...and more laughs than you could possibly conceive!

Buenos Aires, Argentina, 1983. In the last and turbulent days of the military dictatorship, Alicia, a high school history teacher, begins to ask uncomfortable questions about the dark origins of Gaby, her adopted daughter.

精神病患者费尔明以探戈舞曲疗伤，与医生考夫曼结缘。考夫曼走进费尔明的人生，治愈了老人被暗恋、嫉妒、不义和悔恨折磨的心。影片以插叙闪回方式讲述一个浪漫的舞者、爱的罪人悔恨的一生，情节起伏跌宕、令人唏嘘。不断出现的动人舞曲..