Adèle Haenel试镜五个不同情绪的片段。

《L'Etang》改编自瑞士作家Robert Walser的一篇短文，讲述了Fritz（Adèle Haenel饰演）的故事，他是一个被母亲虐待的少年，为了赢回母亲的爱而假装溺水。 Adaptation d’un court texte de jeunesse de l’écrivain suisse Robert Walser, l‘Etang expose au regard les plis et replis d’une histoire d’amour filial, en distribuant les rôles entre deux comédiennes, Adèle Haenel et Ruth Vega Fernandez.

A street in Paris. A stranger thinks he is recognized in Joachim a soldier who died in Bosnia on August 21st, 1983, the very day Joachim was born.

A young woman moves to Paris and has a brush with disaster. Grown-up at last, an accomplished woman thought she was safe from her own past. Gradually, these characters come together to form a single heroine.

2012年第65届戛纳电影节导演双周单元官方选片！Aliyah这个单词是指犹太人搬去以色列定居的意思，故事描述男主人公要完成他的Aliyah却难以割舍他跟巴黎的数单牵连，当然，他更要玩一票大的才能攒够资金，他到底是否能够如愿呢？

One hot afternoon in the south of France, several paths are converging towards a tragic conclusion. Those involved are: Stéphane and Luigi, two cousins who have just emerged from adolescence; Georges, a retired old man; Amélie, Luigi’s girlfriend; and Amélie’s mother Anne. Little do they know how their lives, scarred by fear, humiliation and weariness, will become intertwined and propel them to a terrible outcome...

Alice and Paul both study at the Sorbonne University in the Latin Quarter. After a course, Paul who is attracted to Alice , starts talking with her. They share the same ideas about philosophy and today's philosophers but while they go on with their conversation they realize that as far as cinema is concerned they are not at all on the same wavelength: she is all for the New Wave whereas is definitely mainstream. With such conflicting viewpoints, is it reasonable to think of romance, all the more so to consider living together?

2018 film directed by Pierre Schoeller

2016 film by Bertrand Bonello

2009 film directed by Raymond Vouillamoz

2013 film directed by Katell Quillévéré

Seances presents a new way of experiencing film narrative, framed through the lens of loss. In a technical feat of data-driven cinematic storytelling, films are dynamically assembled in never-to-be-repeated configurations. Each exists only in the moment, with no pausing, scrubbing or sharing permitted, offering the audience one chance to see this film before it disappears. The project was born from the mind of one of the world’s foremost outré directors, Guy Maddin, who has long been haunted by the idea that 80% of films from the silent era are lost. Driven by the desire to reincarnate this vanished history, an abundance of these films have been reimagined by Maddin and brothers Evan and Galen Johnson, with the express goal of combining and recombining them to create infinite narrative permutations.

2002 film by Christophe Ruggia

《昨日之花》全新角度回望历史，讲述了一个二战相关的爱情故事。一位备受尊敬的德国大屠杀学者事业如日中天，但却陷入精神危机中，原来他的祖父曾经是纳粹战犯，这段不为人知的家庭历史使他内心饱受煎熬。此时他遇到了一位热情四射的犹太女孩，两人互生情愫。而当女孩发现原来当时害死自己祖母的竟然是学者的祖父，终于还是不能接受，相爱的两人遗憾分手。5年之后，两人再次在街头偶遇，女孩已为人母，回望过去，只能彼此祝福。

2015 film by Guy Maddin

In 1976 in Nice, Agnes, the daughter of the owner of the Palais de la Méditerranée, falls in love with an older lawyer.

极具创新性的黑色喜剧，讲述女警探帮助出狱的男子重回原来的生活，将荒谬滑稽和温馨浪漫共冶一炉。

Al, a young man from a modest background is about to marry his boss’ daughter, along with succeeding him as the head of a car dealership. One night, while coming back from his bachelor party, he is guilty of a hit-and-run accident, urged by his two childhood friends present in the car. The next day, gnawed with guilt, Al decides to inquire about his victim. What he does not know is that Juliette, a young woman, has witnessed the entire accident from her balcony.