In 2018, Chicago barber Harith “Snoop” Augustus is shot dead by police on his way to work. Incident first shows this shocking event from a distance, a view from above. This is followed by a chilling reconstruction based on footage from different angles and viewpoints, including surveillance cameras, and the dashboard cameras and bodycams of the officers present.
At a certain point, different perspectives are combined in split-screen, intensely conveying the chaos, and the anger and desperation of the bystanders. Some know the victim. They see that he’s still breathing. Gradually a disconcerting picture unfolds not only of the shooting incident itself, but also of the immediate aftermath. Where do the priority’s of the police officers involved lie?
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Based on the story of Howard Walls, A clerk at the Library of Congress who saved a collection of early paper reel films from the incinerator, director Bill Morrison embellishes the tale a bit in this inspired short work. Here, the vision of a woman in an early porno film has been engrained in the mind of a man working at the Library of Congress and his search for the film of her has an unexpected consequence, as he saves a collection of historically significant films from being destroyed.