1989年2月5日，中国美术馆举办了中国现代艺术展，大展的标志为“不许掉头”。然而展览的主题却是对于85新潮美术运动的一次成果展示。一些行为艺术悄然登场，两声枪响震惊世界。二十年过去了，这些真正没有掉头的行动作为本次大展的重要标志进入了历史，成为今日批评家与艺术家共同分享的骄傲。本片记录了当年现场的七个行为艺术——史称“七宗罪”。

上个世纪80年代的思想解放运动给中国的前卫艺术带来前所未有的活力，也拓展了艺术家们自由表达的空间。本片是温普林先生历时十几年，以北京为中心，辐射全国，跟踪拍摄的最为全面地反映中国当代艺术进程的纪录影片。这是一部线索清晰的当代艺术影像史，也是一部泛文化跨领域的纪录影片，其中对于戏剧、现代舞蹈、摇滚乐、当代艺术等多角度的记录折射出时代的变迁和文化艺术的发展历程，成为研究80、90年代中国文化艺术最为重要的史料。影片真实详尽地记录了行为艺术在中国的发生、变化及其对当代艺术的冲击，同时展现了艺术家不断探索全新的艺术表达方式及对于自身的反思，其中大量珍贵的画面已经成为中国当代艺术史上的经典瞬间……

On the Tomb Sweeping Day in 1987, a film crew set out for the monument of the Tangshan earthquake to shoot a memorial ceremony for the victims of the earthquake. This marked the beginning of the documentary film "The Great Earthquake". The artists, like Shaman sorcerers, were capable of foreseeing that, what had been dormant in the universe was to be awoken. And the rock and roll music on the Great Wall that night became a coming-of-age ceremony for the youths that were present and some even called it the "Chinese Woodstock".

A documentary on the XVII Karmapa of Tibet. The film also presents the spiritual life of Tibetan Buddhists in the 1990s through interviews.

In 1993, on the 100th anniversary of Mao Zedong’s birth, Wen Pulin mobilized the “Sun 100” series of artistic activities, staging programs at official institutions featuring avant-garde artists in Mao’s hometown, Shaoshan. The film "Sun 100" was intended to be a document of that work, representing the country and the nation thinking about a specific quandary: What is the spiritual heritage that's been left behind by Mao Zedong, if there is any at all? Wen planned for the film to show at the 1994 Hong Kong Film Festival, but withdrew it, and has never finished it, stating that his own views on Mao have shifted. 17 discs worth of footage (roughly 28 hours) from the unfinished film are included in the Wen Pulin Avant-Garde Art Archive held at Cornell University in the U.S.

Qingpu is a famous sacred mountain in Tibet, where countless monks have practiced for thousands of years. In 1989, Wen Pulin and Duan Jinchuan followed several monks up the mountain and took video of them. After three years, they revisited the same people and got a little closer to understanding their lives. As an in-depth dialogue with down-to-earth, rural people in Tibet, the film strives to understand Buddhism both as a philosophy, but also as a personal choice of lifestyle, as a transcendence of the chaos of life.