Images that capture the force of nature edited in Pelishian's distinct aesthetic.

Poetic film about the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences. --------------------------------------------- The film portrays the rock-climbers who prevent landslides, and eliminate their consequences.( )

Essay praising human life and work, the everlasting beauty and expression of human thought. 1966

In “End", Pelechian films, with a shoulder mounted camera, men and women from different ages and ethnic groups, in a train going from Moscow to Yerevan.

Poetic essay about the beginning of life from labor pains and birth and about its symbolic meaning.

Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.

Monumental picture exploring the identity and fate of the Armenian nation.

Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”

Meltwater flowing down the mountainside becomes a wild, churning river. Silhouettes battle desperately against the rushing water so as not to be swallowed up. Vast cloudscapes glide at speed over the Armenian highlands. In this, his last collaboration with cameraman Mikhail Vartanov, Artavazd Pelechian captures a reclusive peasant community in its unceasing battle with the elements. In spring, they migrate into the mountains with their herds. When summer ends they harvest the hay—creating a dusty avalanche of bales. In winter, it is the shepherds themselves, hanging on to their sheep, who roll down the mountains in the snow. Accompanied by Vivaldi’s The Four Seasons, these highland dwellers perform feats of pure survival. This is humanity, trapped in a brutal but stunningly beautiful existence. To the melodic rhythms of camerawork, montage, and a lyrical score, Pelechian and Vartanov elevate it into a full-blown symphony—a symphony of being.

A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem. Written by AAFCCJ