《天国王朝》大部分角色基于历史人物而改编，哥伦比亚大学的Hamid Dabashi教授为该片的首席学术顾问。
十二世纪的法国，青年铁匠贝里昂（奥兰多·布鲁姆 Orlando Bloom 饰）无意间知道自己是十字军将领戈弗雷（连姆·尼森 Liam Neeson 饰）失散多 年的私生子。为了寻找救赎，贝里昂跟随父亲前往耶路撒冷。骁勇善战加上品格高尚，贝里昂几经征战成为赫赫有名的武士，不但深受国王赏识，美丽的公主西贝拉（伊娃·格林 Eva Green 饰）也对他芳心暗许。而他也深深地被当地陌生而奇特的文化吸引，然而随着战役增加，带来无尽的杀戮和掠夺，贝里昂终于领会父亲训言中和平的真义与生命的真爱。耶路撒冷王故去，新王继位。好战的新王挑起战争，萨拉丁率领撒萨拉逊骑士要收复他们的圣地——耶路撒冷。危急之时，贝里昂挺身而出，誓言捍卫“天国王朝”……

20世纪80年代，电子软体天才凯文·弗林（杰夫·布里吉斯 Jeff Bridges 饰）创建了英康公司，将人类带入一个全新的时代。可是在辉煌的时代开创不久后，凯文神秘失踪。在此之后，凯文年幼的儿子萨姆（加内特·赫德兰 Garrett Hedlund 饰）继承了父亲的位置，实际工作则由其他工作人员主持。萨姆天资聪颖，充满冒险精神，经常给英康的高层们惹来麻烦。这一天，他得知一间荒废已久的工作室内竟传来父亲的讯息。萨姆前去探查，结果竟进入一个全数字化的虚拟世界。这个世界的掌控者克鲁（杰夫·布里吉斯 Jeff Bridges 饰）与父亲有着同样的容貌，却野心勃勃，邪恶无比。萨姆被迫卷入一场充满阴谋的电子争霸战中……
本片荣获2010年奥斯汀影评人协会最佳原创配乐奖。

　　在人类之外，有一个黑暗而未知的地下世界，那里活跃着两个敌对种族：具有贵族气质、神秘难以捉摸的吸血鬼，和生性凶残野蛮的狼人，为了获得地下世界的生存统治权，他们争斗了几个世纪。对于人类来说，他们不过是街头巷尾的鬼怪传说，但实际上，双方的激烈对峙从未停息，他们终其一生不断交手，誓有一方倒下不能罢休。

影片讲述了已经20 岁的爱丽丝和母亲参加一个宴会，却发现自己将在众多傲慢自大的人面前被求婚。于是她跟随一只白色的兔子逃到一个洞里，进入仙境。13年前，爱丽丝曾来过此地，但她现在却一点也不记得了。在这里，爱丽丝与那些可爱的老朋友们重逢了：虚张声势的睡鼠，美丽的白皇后和她可憎的姐姐红桃皇后，还有双胞胎兄弟，毛毛虫，白兔，疯帽子等等。在奇妙的仙境历险中，爱丽丝了解到自己身负的重大使命，那就是带领地下世界的居民们结束红桃皇后的邪恶统治，恢复昔日仙境。

Martyn Hesford's comedy-drama about the life and times of tortured comic Kenneth Williams based on his diaries.

爱丽丝·金斯利作为船长纵横四海3年后回到伦敦，却发现对于女性社会角色的陈腐观念依然盛行，她为自己所设想的未来可能无法成为现实。此时白皇后希望她借助时空魔球回到过去去拯救疯帽子匠全家。而被流放外域的红皇后也与“时间”结盟，并暗中计划偷取时空魔球。爱丽丝回到过去，与各个朋友和敌人在不同的时间点上交错，并且与红皇后和时间本人在时间的海洋上展开了一场奇妙的追逐。

　　吸血鬼族与狼人族数个世纪的恩怨，随着吸血鬼族女战士“月之女神”西丽妮与狼人的决战而尘埃落定。狼人与吸血鬼在血腥的嘶咬和拼杀中嚎叫、死去，而提及这份延续了无数个世纪的仇恨根源，就不得不回到遥远的上古世纪去揭开谜底…… 在遥远的黑暗时代，吸血鬼和狼人各占一方，虽然不时有大大小小的摩擦，可总也算是相安无事，彼此之间也保留着互不侵犯的底线。在狼人当中，统治者尤是狼人一族的首领，拥有着至高无上的权利。尤暴虐成性，也常常放纵狼人去吸血鬼的聚集地挑衅生事，由此引发了不少摩擦，虽然许多狼人向尤进谏，但尤却一意孤行。终于，狼人一族中一位名叫卢西安揭竿而起，率领其他不服尤统治的狼人开始反抗尤的暴政。而尤的帝国军队也不是好惹的料，几场大战下来，卢西安率领的反抗军节节败退。狼人一族内乱正在热火朝天之际，吸血鬼一族也坐不住了。吸血鬼一族的国王也带着一干吸血鬼踏进了狼人的土地，美名其曰帮助狼人维持和平，实际却步步蚕食着狼人的国土。而在吸血鬼中，一名叫索尼娅爱上了狼人反抗军的首领卢西安，两人虽然为各自的种族而战，但却都想尽快结束这场战争。狼人一族为了反抗吸血鬼的进犯而联合起来，抵抗吸血鬼的进攻；而索尼娅和卢西安，在这场战争中也重新明白了自由的含义……

这是部伪纪录片形式的喜剧作品。安迪·萨姆博格和基特·哈灵顿饰演两位网球选手，在2004年的一场比赛中，打了整整七天。

故事描述了上世纪六十年代所谓的「人类性行为探索者」William Masters和Virginia Johnson的生活及对当时流行文化的影响。据称正是因为这两个人对性爱进行深入研究，才触发了当时西方社会特别是美国的「性革命」。

The 1916 Battle of the Somme remains the most famous battle of World War I, remembered for its bloodshed and its limited territorial gains. What is often overlooked, however, is the literary importance of the Somme: more writers and poets fought in it than in any other battle in history.
Narrated by Michael Sheen, War of Words: Soldier-Poets of the Somme details the experiences of the poets and writers who served in the battle. The work of Siegfried Sassoon, Robert Graves, David Jones, Isaac Rosenberg and JRR Tolkien (who arrived at the Western Front with ambitions to be a poet) was informed and transformed by the battle. Taken together, their experiences allow us to see this dreadful historical event through multiple points of view.
War of Words: Soldier-Poets of the Somme uses animation, documentary accounts, surviving artefacts, battalion war diaries and the landscape itself to reconnect this literature to the events that inspired it.

The word "gallowglass" means servant, or one indebted to another. This is the story of a young man who feels such indebtedness to another young man after he is saved from committing suicide by jumping in front of an oncoming train. So strong is his sense of gratitude that he follows his 'savior' even to the kidnaping of a wealthy woman. But there are ulterior motives to the kidnaping, complicating it with other details that intertwine and make for a typical British murder mystery. Written by BOB STEBBINS {[email protected]}

Drawing upon H.G. Wells' An Experiment in Autobiography and framed by his 1934 visit to the Soviet Union to interview its leader Joseph Stalin, the movie follows Wells' transformation from self-confident womanizer, socialist radical and young literary prophet to a journalistic missionary, dedicated to the creation of a World State.

Actor Michael Sheen goes on a personal journey to find out why there is so much political disillusionment in Wales today.
Walking in the footsteps of the Chartists, who 175 years ago gave their lives for democracy, he asks why do ordinary people and politicians seem so far apart?

分属天堂和地狱的阿兹拉斐尔和克罗里变得相当喜欢地球，所以世界末日变成了一个坏消息。善恶两方阵营的大军都在集结，天启四骑士也准备启程。一切都按照神圣计划进行…除了似乎有人把撒旦之子放错地方了。我们的英雄是否可以及时找到撒旦之子，阻止世界末日呢？

讲述一场即将上演的舞台剧受疫情影响而中止运作，在封闭期间，演员们也尽最大努力继续排练。本剧的制作团队遵循政府关于新冠疫情的最新方针，采用了自拍和视频会议技术，以确保制作安全可靠。

　　讲述主角Malcolm Bright有一项才华，就是他晓得杀手的想法及逻辑，至于原因嘛……那是因为他父亲是恶名昭彰的连环杀手「外科医生/The Surgeon 」，故此有充足观察量的他成了最好的犯罪心理学家。 而聪明、心灵受创、喜爱自嘲的主角Malcolm Bright用自己那扭曲的才华帮助纽约警察调查案件时，他还得应付有控制欲的老妈、正常但烦人的妹妹、想和儿子重建关系的杀手老爸，以及他那时刻变化的神经症。

Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.

At the opening of the tale, Salieri is an old man, having long outlived his fame, and is convinced he used poison to assassinate Mozart. Speaking directly to the audience, he promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart's personality does not match the grace or charm of his compositions. When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber .

Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.

Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.

The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a false confession of having murdered Mozart with arsenic . He survives, however, and his confession is disbelieved by all, leaving him to wallow once again in mediocrity.

一对已婚夫妇妮奇和安德鲁有两个女儿凯蒂和玛妮，后者患有一种先天性肌肉萎缩症，生命有限。医生认为最符合玛妮利益的做法就是给她解脱，但她心爱的家人不同意，于是，一场斗争开始了。身为一家人的他们学习着适应，他们保持坚强、携手扶持、彼此关心，试着在黑暗时刻找到光线。