1972 film by André Brassard

1989 film by Yves Simoneau

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

A young boy learns the rituals of what his father and his friends perceive as manhood on a weekend hunting trip.

A group of friends reunite after thirty years of separation.

At 47, Julien is an eternal misfit with no real job. But now that he has published an autobiography recounting his childhood memories, a complicated relationship with his mother and troubling family secrets, success is knocking on his door. Julien and his mother have cut ties a long time ago and she doesn't know about the book. Living a sad and miserable life in a retirement home, she renews contact with her son to make up for lost time. But is that all there is to it?

Two bored Montreal housewives (Monique Mercure & Louise Turcot), with inattentive husbands (Marcel Sabourin & Donald Pilon), and lots of time on their hands, amuse themselves by paying the local tradesmen something extra to give them amorous attention. Their entertainment leads to frantic confusion, however, when one of the visiting gentlemen - shall we say - 'expires'. The housewives deal with their unpleasant situation quite energetically.

The lives of a businessman and his family begin to spiral downward after he has an affair at an insurance convention.

Two women and a transvestite gay man cross paths in this French Canadian drama. The transvestite is preparing for a drag-queen beauty pageant, and has decided to present himself as Cleopatra. Of the two women, one was just fired from her waitressing job and seeks to go back to work at the nightclub where the beauty pageant is to be held. The other woman's mother has just won one million food stamps.

The wife of photographer J.A. Martin decides to go with him in his tour of the hard Canadian countryside at the turn of the century. She hopes the intimacy will revive their marriage.

1971 film directed by Claude Jutra