1978 film by Miguel Picazo

Durante la ausencia de su marido, que está faenando en la mar, una mujer es perseguida por el armador y condenada injustamente por un crimen que no ha cometido.

A famous American secret service agent tries to rescue a German 17-year-old prodigy scientist who has been captured by the Russians.

After the explosion of an atomic bomb, a handful of people at the mercy of a disturbed millionaire.

Ditirambo nunca sonríe, siempre dice la verdad y lleva a cabo sin piedad todas las misiones que se le encomiendan. La viuda de un escritor le ordena localizar a la ex amante de su marido con el fin de vengarse de ella.

1965 film by Julio Diamante

1976 film directed by Vicente Escrivá

A recent widow has invited a group of family friends to her large and secluded country home. However, what the guests don't know is that the reason they've been assembled is that their host suspects one of them might be her husband's killer and she's intent on uncovering the identity of his murderer. As the guests begin to suspect each other, revealing long-kept and sinister secrets in the process, an unknown, black-gloved killer begins bumping them off in a variety of nasty ways.

A flamenco dancer (Antonio Gades) reflects on his life and career when he is surprised to be honored on a television show telling his life story. The memories stir up controversy, and an old friend seeks retribution as Antonio had once stolen his girl.

Leo Pozas, native from Burgos and high bank clerk, arrives to a town on the Costa Brava, with his mother to marry Loli. Unexpectedly, Leo's mother died. This may mean the suspension of the wedding, a year of mourning and, perhaps, another relief, so that Leo and Loli hide the corpse of the old betrothal until after the wedding...

A biography of the Spanish painter Francisco José de Goya (1746-1828), who went from being a court painter to creating heartbreaking images denouncing the atrocities and injustices of his time.

1959 film by Juan Antonio Bardem

Another brilliant giallo thriller from director Francesco Barilli, whose THE PERFUME OF THE LADY IN BLACK was one of the genre's most haunting and original films. This Italian-Spanish follow-up is a bit muddled, but no less engrossing. Set in a family hotel in Northern Italy in 1945, the film concerns Rosa (Leonora Fani), who helps her mother run the hotel while awaiting her soldier father's return from the front. In a Barilli film, nothing is as it seems, and before long Mom (who is sleeping with a traitor she's hidden in the attic) is murdered. Then poor Rosa is raped by two of the guests, who also are murdered, and while she's hiding the bodies she is forced into an orgy by all of the other guests. But before the guests get to far a mysterious man enters all shots the guests. Who is this mysterious man and what are his intentions for Rosa? Like all the best gialli, Pensione Paura completely dispenses with logic early on, elevating weirdness to nearly operatic levels while absorbing the viewer in a thick and spellbinding atmosphere of mounting dread. Francisco Rabal co-stars with Luc Merenda, Lidia Biondi, and Jose Maria Prada.

Three men who fought with the Fascists in the Spanish Civil War and have since prospered reunite to go rabbit hunting on the hot, arid land owned by Jos?(Ismael Merlo). Jos? Paco (Alfredo Mayo), and Luis (Jos?Maria Prada) are joined by the much younger Enrique (Emilio Guitierrez Caba), who was born after the Civil War. To impress the others, Jos?buys an expensive radio and camera but refuses to purchase medicine for the sick mother of Juan (Fernando Sanchez Polack), a crippled peasant who lives on his land. In addition, the men shamelessly lust after Juan's impoverished young niece. As the heat of the day builds, tensions between the men boil to the surface, reaching a violent climax when Juan asks Paco for a significant loan. Saura uses the veterans of the war, and their personalities, their petty jealousies, bravado, and senseless machismo as an allegory for what Spain had, unfortunately, become after a generation of Francoist rule. The character of Enrique represents the contemporary Spanish generation that was not taught about the Civil War in school.

1973 film by Vittorio De Sica

The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family.