1989年5月20日北京部分地區實施戒嚴，鄭淑麗翌日從紐約飛到北京，借來中國導演陳凱歌的V8錄影機，每天騎腳踏車到天安門拍攝。外媒CNN節目《Live from Tiananmen Square》直播學運、中國政府把監視器佈滿廣場、學生手寫報散落地上……瘋狂媒體亂象以六四清場作結。

UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.

Three commentators sit in a news studio in front of a TV discussing the Tiananmen Square massacre as reported by local and foreign media. This film aims to examine the politics of image and the image of politics through commenting on the topics of democracy, media control, consumption and commercialism.

潺潺的水，魚在水中游；一滴滴的氣泡，魚在呼吸。疏疏的水影覆蓋在不同膚色的身軀上，隨著節奏加快，魚在水中悠遊來去，在浴簾後、在公廁裡……。水滲透著，用舌頭去尋找遺落的另一個舌頭。

Reiko is a sex robot programmed to accumulate sexual experience. She goes through seven body types to experiences a variety of couplings. She returns to the company to download her accumulated info and escape from their control.

Shareen and Claire, a lesbian couple living on Staten Island, find themselves ensnared in a vast conspiracy involving a ghost ship of nuclear refuse, ominous television commercials, and deadly cat food.

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.