In another lifetime, a Spanish couple takes drugs and teleports through their television set. A troubled young man travels through the countryside and meets a lost woman. During the trip, they discover a museum housing the expatriated paintings of the most important Filipino artist of the revolution. Eventually, the Spanish couple disappears toward their colony. Inspired by one of the earliest teleportation accounts, which happened between the Philippines and Mexico during the colonial period.

A famous American filmmaker travels to the Yucatán to scout locations for his last movie. The Mayan Apocalypse intercedes.

菲律宾国一男子深夜相邀女网友约炮，步行半小时到达广场汇合后发现对方居然是男性！两人随后又在国家森林公园深处就攻受体位产生争执大大出手打成重伤，一个脑震荡，一个肘骨折，其中一名男子终被射

This experimental Filipino movie is far from a total success, but at least its in-your-face strangeness will make it somewhat interesting for those interested in seeing films of a different sort. The start is akin to a test of endurance for cinephiles, as the camera stands still showing nothing but a couple sleeping in the floor of a hut for the first 15 minutes (I'm not making this up, I looked at my watch). Eventually, the woman, who is unable to sleep, wakes up the man at her side, telling him to tell her a story so she can sleep. He complies with a rambling monologue about the suffering of the Filipino people. The film then moves on to the better second part, where fake footage in the style of silent movies is shown. This shows life in the Philippines supposedly during the end of the colonial period through a series of vignettes. These vignettes are mildly humorous (one shows a number of children looking at an eclipse with gaping mouths). Eventually, something akin to a story comes out of the movie, as revolutionaries meet to plan rebellion from Spanish rule. It's hard to compare this movie with other films, though its fetishism of silent movies recalls the work of Guy Maddin. I found it also reminiscent of a better movie, "Moeder Dao" in which real documentary footage of colonial life in Indonesia was shown.