Little did this pretty brunette know when she applied for a babysitting job that her employer was an artist and that everything at his place differed from the outside world. What struck her the most was to find out that her boss had shrunk his wife and kept her in the fridge in order, as he said, to keep her safe from a hostile world!

1992 film

2014 television film

A bungling robber steals and resells for next to nothing a seemingly worthless piece of art that had 50 00$ belonging to a member of the Marseillaise Mafia hidden its framework. Dressed as a priest in an effort to hide from the dangerous threats, he is then mistaken by two police officers for Claude Laurin, a police investigator who they think is undercover.

Vincent and Mathias are two friends, in their thirties, who live off Vincent’s father. One day, during a meal where the wine and talk both flow a little too freely, Vincent’s father offers the two friends a bet. If they can survive seven days and seven nights in Paris with just seven Euros in their pocket, he will pay off all of their debts. If not, they will have to learn to fend for themselves. Confident of their abilities to survive in the jungle that is Paris, Vincent and Mathias willingly accept the offer, but soon regret doing so...

A private eye finds that her professional and personal lives are beginning to intertwine in this French drama. Maxime Chabrier (Anémone) is a woman in her mid-40s who works as a private detective. Despite her chain smoking and sloppy appearance, Maxime is regarded as a skilled investigator by her colleagues and considered the best PI at her agency by her boss. While Maxime has romantic dalliances with both men and women, she hasn't been involved in a long-term relationship since she left her husband 15 years ago. However, Maxime is hired to look into a case that suggests that her former husband has become involved with insurance fraud, which brings her into contact with her 17-year-old son Baptiste (Gregoire Colin) for the first time since the divorce. Just as Maxime is trying to mend fences with her son and find out what her ex has gotten himself into, she finds herself falling in love with Jacques (Michel Didym), an economist.

1996 film by Tonie Marshall

Young dynamic executive, married and father of two children, Jérôme Ozendron dreams of writing and escaping a life he considers mediocre. The meeting with a former comrade, who had become an actor, brought him into contact with the world of cinema. He meets, Natacha, a cover girl, for whom he is ready to give up, wife and children. Then he becomes the lover of Lilianne, a marginal who persecutes and pursues him. He quit his job to devote himself to writing a novel. But nothing goes as he wants.

Whilst King Gros Pif I amuses himself at debauched banquets, his musketeers pursue their tax-collecting duties with a malicious zeal. Goaded by the court jester (who is also the Queen’s lover), the ministers decide to put an end to this regime and have the King locked up. Hearing the news, the famous Chevalier Blanc comes to his rescue. Aided by the knight and his cousin Lucienne, the King flees to Flanders, where he devises a scheme to win him back the throne of France...

1981 film by François Leterrier

French Postcards rings both comic and true. The believable, fresh-faced characters are young naives from American colleges spending their French-English dictionaries, they compulsively seek out hundreds of monuments, romanticize the nomadic artist's life, and look for grown-up love. The French tutor them well, as befits their reputation. Jean Rochefort is the harassed headmaster with a hankering for affairs, and Marie-France Pisier is his very sexy wife. Watch for a newcomer named Debra Winger, and another-Mandy Patinkin.

Realistic biography of the famous french painter Henri de Toulouse-Lautrec. This time, the focus is not on his work or his life at the Moulin Rouge (like in the John Huston's movie of the same title) but on the life of Lautrec himself, espacially his love relation with his model Suzanne (played with great talent by the marvelous Elza Zylberstein). Like in Minnelli's Van Gogh biography (Lust for life, 1957), movie director Planchon makes painting with the camera, especially in the firt hour. The times and the soul of the period (end of the XIXe century) is well respected. Beautiful movie!

Pauline, 28, hopes that by moving to the countryside she will be able to come to terms with the recent death of her husband. Here, she meets François, an introverted man of about her age whose emotional wounds run much deeper than her own. Forever scarred by a childhood tragedy, François lives a prisoner-like existence, guarded night and day by his authoritarian father and intrusive sister. Pauline and François discover a common bond in the fact that they both desperately want to start a new life, but lack the confidence to do so. At first, they find it hard to communicate with one another. But, gradually, they find the words to express their feelings and begin to realise that each has the power to set the other free...