Loxandra is a Greek mother and wife living the ordinary life of a well to-do Greek family in Constantinoupolis of the late 1800s-early 1900s, a world gone forever. Historical events intrude in the background -revolutions, palace coups, massacres, and the great upheavals of WW1 in which Greeks saw their wildest hopes fulfilled, then dashed: for a brief time Constantinoupolis itself was regained, then lost along with all Asia Minor. Through troubles great and small, Loxandra's simple optimism, belief in her Virgin Mary, and love of life carries her family past every difficulty - be it a sumptuous dinner for Easter or secretly giving away her savings to help persecuted Armenians. A representation of a time and place where all neighbors were friends, where they could cook in each other's kitchens or take shelter in each other's cellars.

After the death of her father a young woman who was a student in Germany suffers a nervous breakdown and withdraws inside herself. Her younger sisterʼs attempt to stop the family from having her locked up in a mental hospital fails and brings about her own mental decline. The film marked Stavros Tsiolis re-emergence after a 14-year absence but was also the film debut of actress Pemi Zouni.

Thirty-year-old lower middle class Dimitris, faint-hearted and not particularly ambitious, is ready to jump at the opportunity that will get him handsomely provided. He wavers between yesterday, the German occupation nightmare and his love debut with a neighbour and contemporary, fluid reality. He meets Thaleia, a rich woman his age, who frequents the same night club as him, but his daily routine is invariably the same. The closure of the small industry in Drapetsona, where he used to work for the last 8 years, and his relationship with Maria confront him with a different reality. Maria is a progressive, evening school teacher, full of dreams.

1978 film by Nikos Koundouros

1977 film by Theodoros Angelopoulos