A tense WWI spy thriller in which Colonel Duncan Grant (British star Brian Aherne, in his first talking role), parachutes into Germany to gather intelligence on the enemy’s secret ‘W Plan’ and to assist Allied POWs in digging escape tunnels.

In a Hungarian gypsy encampment, carefree Sandor lives with his beautiful sweetheart Yutka. Into their lives rides a blonde countess, with whom Sandor becomes infatuated. Yutka soon flees from her faithless lover. Sandor roams the country, searching for his lost love, but finds her too late. she now wears furs and has her own aristocratic love. Sandor returns heartbroken to his Romany encampment.

A woman believes her boyfriend died in the First World War, but he is now looking for her

In 1940 Sally Maitland is forced to leave England, ostracised as a Nazi sympathiser by everyone including her well-to-do family. On the ship to Halifax, Canada, she is courted by Polish aristocrat Jan Orloch and by awkward British navel intelligence officer Jimmy Garrick. She shows herself somewhat more amenable to Orloch's advances, and agrees to meet his mother in Halifax. Once there however, it becomes clear no-one is really who they say they are.

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor

YOURS UNFAITHFULLY is an insightful, intelligent and exceptionally intimate peek behind the closed doors of an open marriage. Stephen and Anne, blissfully happy for eight years, are committed to living up to their ideals. When Stephen, a writer who isn’t writing, begins to sink into a funk of unproductive moodiness, Anne encourages him to seek out a fresh spark. Can their marriage survive uncompromising generosity, sacrifice and love?

设计师魂归离恨天 飞行员泪洒相思地

A young couple decide to marry under the condition that they agree never to disagree. That agreement is soon put to the test when the husband finds himself attracted to a beautiful young woman.

When Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.