托马斯和托马斯正在经历一个艰难时期：他们都是三十出头的演员住在巴黎。他们随机决定离开城市并飞到Kullorsuaq，格陵兰岛，那里托马斯的父亲拿生命中最偏远的村庄之一。其中因纽特人社区，他们会发现当地习俗的魅力和他们的友谊将受到挑战。

離開多年後，安東下定決心要面對自己的過去，他造訪了卡蜜兒的家，與曾深愛過的人重逢，而此時，她身邊已有個小女孩艾莎。安東來訪時，卡蜜兒正準備出差，手忙腳亂之際仍遲遲等不到保姆。情急之下，卡蜜兒不得不把女兒請託給安東。安東怎麼也沒想到，就此和眼前素未謀面的小女孩共度了他最難忘的夏天…

The events of an ordinary summer in the Paris suburbs, but given a melancholy, dream-like eeriness in this superb ensemble piece by new director Mikhaël Hers.
Mikhaël Hers has been one of France's most hotly-tipped new directors ever since his medium-length ensemble pieces Primrose Hill and Montparnasse - films largely about young people walking and talking, but with a magical contemplative atmosphere all their own. Stretching out to full length, Memory Lane confirms Hers's utterly distinctive signature. Very loosely resembling a slacker take on the Eric Rohmer tradition, Hers's film follows the events - or spaces between events - of one summer in Paris and its outskirts, experienced by a group of young people and remembered melancholically at a couple of months' distance. Two sisters worry about their father's illness; a young man quietly unravels; other characters fall in love, or rehearse their indie band in a school courtyard. Little happens, except the quiet moments of togetherness that are Hers' speciality, and yet Memory Lane somehow creates a uniquely haunting sense of things being somehow out of time while profoundly in the present. An appealing cast - including one-time Rohmer player Marie Rivière - enhance the minor-key distinctiveness of this superb debut feature.

During a long awaited family soiree Cedric challenges his relatives why they keep him from his journey.

失窃的粉红色结婚礼服、起重吊臂上眺望的巴黎美景、冰岛的古老传说里海狗有着人类灵魂，组成了一部彷彿《艾蜜莉的异想世界》绝地重生版的怪咖疗愈喜剧。有着黑色翘短发的个-性女孩阿嘉特这个夏天有点冷，她从冰岛一路捧着丈夫骨灰罈回到法国，好心收留被困在机场的冰岛旅人，旅人要回到冰岛的家，阿嘉特却还是走不出悲伤。为彼此生命暂时停下的城-市一角，他们的相遇即将改变阿嘉特的人生。法国混搭冰岛，多文化不同语言让生活有火花也怒放心花，一场又一场的小冒险将生命中的重伤害转化成微妙轻喜剧。「有时候你很难没有依靠而独立坚持下去，在任何情况下，一群-人在一起总比孤独好，这部电影就是关于此，为了那些彷若家人的人们。」—— 苏维尔安斯波

露露因面试不顺利决定不回家了，留下丈夫和3个孩子自己离开了。她事先并没有作什么计划，事情就这么简单地发生了。她给自己几天自由，独自一人，在海边，没有任何计划，只是尽情而毫不内疚地享受这一切。
在路上，她遇到一些人，这些人跟她一样处在社会边缘：一个被自己兄弟们关怀备至的怪人、一位无聊得要死的老太太和一个被上司骚扰的雇员……这三次决定性的邂逅帮助露露重新找到一个她完全失去联系的老熟人：她自己。