A voyage into the labyrinthic memories of a Uitoto man, who worked for the drug Lords in the Colombian Amazon back in the 80s. Following his path between the forest and the ruin of a Narco´s mansion imitating the Carrington mansion in the soap opera Dynasty, the film unfolds the hallucinatory account of a near-death experience.

Opera singers and addicts in recovery are certainly prone to melodramatic depictions in film, but Laura Huertas Millán’s austere portrait of her aunt Antonia—who happens to be both opera singer and addict—never crosses into the realms of exploitation. First glimpsed giving a young singer lessons on breathing and performance, the middle-aged Antonia is shown living at a rehab center, talking about her suicide attempt and relationship with her estranged son. Through the prism of her Facebook statuses, aria performances, and recollections of the director’s mother, we slowly gain an understanding of a woman still learning to understand herself.